Triumvir Foul – Onslaught to Seraphim (Review)

Triumvir Foul - Onslaught to SeraphimThis is US death metal band Triumvir Foul’s third album.

The third album from Triumvir Foul brings us another 35 minutes of apocalyptic death metal horror. I always enjoy witnessing what primeval new terror the band have conjured up, (see, for example, this, this, and this), and have thoroughly enjoyed watching their development since they started. On their first new album in five years, Triumvir Foul have produced a monster capable of cementing their legacy. Continue reading “Triumvir Foul – Onslaught to Seraphim (Review)”

Sedimentum – Suppuration Morphogénésiaque (Review)

Sedimentum - Suppuration MorphogénésiaqueSedimentum are a death metal band from Canada and this is their debut album.

Featuring a guitarist from Outre-Tombe, Suppuration Morphogénésiaque contains 39 minutes of filthy death metal. Sedimentum have a sound that’s dense and unforgiving. The band’s music is ugly and rotten, but underneath the surface it is well-crafted and delivered. Continue reading “Sedimentum – Suppuration Morphogénésiaque (Review)”

Nicolas Cage Fighter – The Bones That Grew from Pain (Review)

Nicolas Cage Fighter - The Bones That Grew from PainThis is the debut album from Nicolas Cage Fighter, a metallic hardcore band from Australia.

The promo blurb states that Nicholas Cage Fighter combine “ruthless hardcore, late 90s metal and death metal influences”, which sets the scene nicely for the 37 minutes of material on The Bones That Grew from Pain.

Imagine a mixture of Hatebreed, Pantera, and the groovy aspect of bands like Thy Art Is Murder and Decapitated, and you’ll have a rough idea of where Nicolas Cage Fighter are coming from. They specialise is music that takes the metallic hardcore style from the 2000s and adds in more contemporary influences.

The music is full of energy and muscular heaviness. These songs are designed for the live arena, but are well-written enough to survive outside of their natural environment. Crushing breakdowns, heavy riffs, and roared vocals are the main order of business, and Nicolas Cage Fighter know their trade well. The songs are heavy, angry, are catchier than you might expect, and are just plain fun to listen to.

I like the inclusion of ambient, melodic, and atmospheric elements into the band’s brutal sound. These are only small enhancements to the songs and only appear at select moments, but they add value nonetheless. I also really like the singer’s vocals. They’re well-performed and varied enough to hold interest.

The Bones That Grew from Pain sits nicely next to recent records by Malevolence and Cage Fight. If you are looking for an album to hit the gym to, or just something to go and break stuff to, then this is for you.

A highly recommended slab of crushing heaviness.

Imperial Triumphant – Spirit of Ecstasy (Review)

Imperial Triumphant - Spirit of EcstasyThis is the fifth album from US avant-garde black/death metal band Imperial Triumphant.

After 2020’s Alphaville, any Imperial Triumphant release is going to be much-anticipated, and now we have it; 55 minutes of new material in the form of the warped, mutating Spirit of Ecstasy. Continue reading “Imperial Triumphant – Spirit of Ecstasy (Review)”

Antigama – Whiteout (Review)

Antigama - WhiteoutThis is the eighth album from Polish grindcore band Antigama.

I always enjoy hearing Antigama, as no matter what they’re doing you know you’re going to at least get a good base level of quality (see MeteorThe Insolent, and Depressant as good examples). Continue reading “Antigama – Whiteout (Review)”

Maul – Seraphic Punishment (Review)

Maul - Seraphic PunishmentThis is the debut album from US death metal band Maul.

Across 38 minutes Seraphic Punishment torments us with nasty death metal that will not only leave a bad taste in your mouth, but a rusty meat cleaver too. Savage and brutal, the band’s music offers a crushing display of murderous death metal carnage. The style mixes the classic Swedish style with equally classic USDM, to create a hybrid of the two that lacks the strengths of neither. Continue reading “Maul – Seraphic Punishment (Review)”

Cerebral Extinction – Escape from Illusion (Review)

Cerebral Extinction - Escape from IllusionThis is the third album from Italian brutal death metallers Cerebral Extinction.

Escape from Illusion delivers a punishing technical assault across 47 minutes of brutal material. Continue reading “Cerebral Extinction – Escape from Illusion (Review)”

Altars – Ascetic Reflection (Review)

Altars - Ascetic ReflectionThis is the second album from Australian death metallers Altars.

Ascetic Reflection contains 40 minutes of warped death metal. As a rough outline of the band’s sound, take a base of Morbid Angel and then add in elements of bands like Gorguts, Artificial Brain, and Ulcerate. Then know that that these lazy comparisons do nothing to prepare you for the journey that Ascetic reflection offers. Continue reading “Altars – Ascetic Reflection (Review)”

Begrime Exemious – Rotting in the Aftermath (Review)

Begrime Exemious - Rotting in the AftermathThis is the fourth album from Canadian black/death metallers Begrime Exemious.

Rotting in the Aftermath contains 37 minutes of filthy underground death metal with a raw blackened edge of ice. This is the most death metal I’ve heard the band, and they sound like they’re enjoying themselves with it. Continue reading “Begrime Exemious – Rotting in the Aftermath (Review)”