Label Roundup: Grind to Death Records – Belarus Beaver, Eldprov, & Beyond the Catacombs (Reviews)

Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.

In this edition of this column we’ll take a look at Swedish label Grind to Death Records. It’s not a label I’m familiar with, so how better to get a good look at what they do than this? Besides, how could I resist a grindcore album about beavers… Continue reading “Label Roundup: Grind to Death Records – Belarus Beaver, Eldprov, & Beyond the Catacombs (Reviews)”

Standard Interrogation Techniques: Five Questions for Reeking Aura (Interview)

Although I’d ideally love to be able to conduct hard-hitting, in-depth interviews, who has the time these days? In lieu of this, I’ve thrown together the below question template, hopefully to gather some interesting and informative results, without taking up too much of anyone’s time.

Introduce yourself – who are you and what do you do?

Ryan Lipynsky and I am one of the three guitarists in Reeking Aura based out of New Jersey and New York. On the album my guitar is heard down the centre and I play the heavy metal leads. I am also the main riff chef. Continue reading “Standard Interrogation Techniques: Five Questions for Reeking Aura (Interview)”

Reeking Aura – Blood and Bonemeal (Review)

Reeking Aura - Blood and BonemealReeking Aura are a death metal band from the US and this is their debut album.

Blood and Bonemeal contains 34 minutes of gruesome death metal brought to us by current and ex-members of Afterbirth, Artificial Brain, Buckshot Facelift, Coma Cluster Void, Grey Skies Fallen, and Unearthly Trance. In other words, Reeking Aura bring a lot of experience to the table. Continue reading “Reeking Aura – Blood and Bonemeal (Review)”

Belphegor – The Devils (Review)

Belphegor - The DevilsBelphegor are an Austrian black/death metal band and this is their twelfth album.

Influenced by the 90s era of both black and death metal, The Devils contains 36 minutes of unholy new material, (or 42 if you include the bonus track, which is a rerecorded medley of two older songs). Continue reading “Belphegor – The Devils (Review)”

Krisiun – Mortem Solis (Review)

Krisiun - Mortem SolisThis is the twelfth album from Krisiun, a death metal band from Brazil.

Mortem Solis is a 40-minute earthquake of pure death metal carnage. If you’re into the style then there’s nothing to not enjoy here, so sit back, turn up the volume, and get ready to be crushed. Continue reading “Krisiun – Mortem Solis (Review)”

Triumvir Foul – Onslaught to Seraphim (Review)

Triumvir Foul - Onslaught to SeraphimThis is US death metal band Triumvir Foul’s third album.

The third album from Triumvir Foul brings us another 35 minutes of apocalyptic death metal horror. I always enjoy witnessing what primeval new terror the band have conjured up, (see, for example, this, this, and this), and have thoroughly enjoyed watching their development since they started. On their first new album in five years, Triumvir Foul have produced a monster capable of cementing their legacy. Continue reading “Triumvir Foul – Onslaught to Seraphim (Review)”

Sedimentum – Suppuration Morphogénésiaque (Review)

Sedimentum - Suppuration MorphogénésiaqueSedimentum are a death metal band from Canada and this is their debut album.

Featuring a guitarist from Outre-Tombe, Suppuration Morphogénésiaque contains 39 minutes of filthy death metal. Sedimentum have a sound that’s dense and unforgiving. The band’s music is ugly and rotten, but underneath the surface it is well-crafted and delivered. Continue reading “Sedimentum – Suppuration Morphogénésiaque (Review)”

Nicolas Cage Fighter – The Bones That Grew from Pain (Review)

Nicolas Cage Fighter - The Bones That Grew from PainThis is the debut album from Nicolas Cage Fighter, a metallic hardcore band from Australia.

The promo blurb states that Nicholas Cage Fighter combine “ruthless hardcore, late 90s metal and death metal influences”, which sets the scene nicely for the 37 minutes of material on The Bones That Grew from Pain.

Imagine a mixture of Hatebreed, Pantera, and the groovy aspect of bands like Thy Art Is Murder and Decapitated, and you’ll have a rough idea of where Nicolas Cage Fighter are coming from. They specialise is music that takes the metallic hardcore style from the 2000s and adds in more contemporary influences.

The music is full of energy and muscular heaviness. These songs are designed for the live arena, but are well-written enough to survive outside of their natural environment. Crushing breakdowns, heavy riffs, and roared vocals are the main order of business, and Nicolas Cage Fighter know their trade well. The songs are heavy, angry, are catchier than you might expect, and are just plain fun to listen to.

I like the inclusion of ambient, melodic, and atmospheric elements into the band’s brutal sound. These are only small enhancements to the songs and only appear at select moments, but they add value nonetheless. I also really like the singer’s vocals. They’re well-performed and varied enough to hold interest.

The Bones That Grew from Pain sits nicely next to recent records by Malevolence and Cage Fight. If you are looking for an album to hit the gym to, or just something to go and break stuff to, then this is for you.

A highly recommended slab of crushing heaviness.

Imperial Triumphant – Spirit of Ecstasy (Review)

Imperial Triumphant - Spirit of EcstasyThis is the fifth album from US avant-garde black/death metal band Imperial Triumphant.

After 2020’s Alphaville, any Imperial Triumphant release is going to be much-anticipated, and now we have it; 55 minutes of new material in the form of the warped, mutating Spirit of Ecstasy. Continue reading “Imperial Triumphant – Spirit of Ecstasy (Review)”