Me, miss a chance to see the mighty Nile once more? Especially as they’re touring on the back of the very strong The Underworld Awaits Us All? No way. So I once again find myself in the loving care of Rebellion for the evening, and tonight it’s all about the death metal. Continue reading “Nile/Hideous Divinity/Intrepid/Pestifer – Rebellion, Manchester – 10/09/24 (Live Review)”
Tag: Death Metal
Oceans of Slumber – Where Gods Fear to Speak (Review)
This is the sixth album from US progressive metallers Oceans of Slumber.
After releasing two very well-received albums of progressive metal in 2018’s The Banished Heart and 2020’s self titled album, Oceans of Slumber surprised many by adopting more of a hard rock approach on 2022’s Starlight and Ash. Although ultimately I naturally prefer their heavier more metallic material, it was still an accomplished album worthy of anyone’s time. With new record Where Gods Fear to Speak now on the horizon, what do Oceans of Slumber bring us in 2024? Let’s find out. Continue reading “Oceans of Slumber – Where Gods Fear to Speak (Review)”
Father Befouled – Immaculate Pain (Review)
This is the latest EP from US death metallers Father Befouled.
I last caught up with Father Befouled on 2017’s Desolate Gods. Since then the band have released an EP, a live album, a split, and another album in 2022 called Crowned in Veneficium, none of which I heard at the time, unfortunately. This streak of missed opportunities to let the band crush me with their blasphemous brand of death metal ends now, with the 26-minute Immaculate Pain. Continue reading “Father Befouled – Immaculate Pain (Review)”
Sanctuarium – Melted and Decomposed (Review)
This is the second album from Spanish death metal band Sanctuarium.
Sanctuarium play rotten old death metal with a crushing dose of fetid doom. Melted and Decomposed contains 48 minutes of foul death/doom nastiness spread over five tracks. Continue reading “Sanctuarium – Melted and Decomposed (Review)”
God Dethroned – The Judas Paradox (Review)
God Dethroned are a blackened death metal band from the Netherlands, and this is their twelfth album.
God Dethroned may have been around for over three decades, but they’ve lost none of their fiery intensity. The Judas Paradox contains 44 minutes of their well-crafted brand of blackened death metal, showing once again what they’re capable of. Continue reading “God Dethroned – The Judas Paradox (Review)”
Brutally Deceased – Chasms (Review)
Brutally Deceased are from Czechia, play death metal, and this is their fourth album.
I thoroughly enjoyed 2010’s Dead Lovers’ Guide and 2016’s Satanic Corpse, so it’s been a long wait for the 29 minutes of new music that Chasms brings us. Continue reading “Brutally Deceased – Chasms (Review)”
Teeth – The Will of Hate (Review)
Teeth are a death metal/grindcore band from the US, and this is their third album.
I’ve thoroughly enjoyed watching Teeth develop, from their split with Fister and also with Barghest, to last full length The Curse of Entropy in 2019. The Will of Hate is the band’s longest release yet, clocking in at 39 minutes of pure punishing extremity. Continue reading “Teeth – The Will of Hate (Review)”
Demonical – Victorious Death – Live in Latin America (Review)
This is the latest release from Swedish death metal band Demonical.
Although certainly not my first love, and I don’t usually seek them out, I do enjoy a good live album. I really like Demonical, so knew I wanted to check out this live recording as soon as I saw it. Bursting at the seams with 62 minutes of chainsaw-driven death metal, there’s a lot of meaty music here to get your teeth stuck into. Continue reading “Demonical – Victorious Death – Live in Latin America (Review)”
Concrete Winds – Concrete Winds (Review)
This is the third album from Finnish death metallers Concrete Winds.
Concrete Winds is a 25-minute monstrosity that bleeds violence from every infected pore. It’s abrasive and hateful, yet carries with it more depth and substance than you’d probably expect; Concrete Winds seem to know what they’re doing. Continue reading “Concrete Winds – Concrete Winds (Review)”
To the Grave – Everyone’s a Murderer (Review)
To the Grave are an Australian deathcore band and this is their third album.
Quickly following on from 2023’s Director’s Cuts, To the Grave are back with the 35-minute Everyone’s a Murderer. I wasn’t expecting to hear more new material so soon from them, but I’m not complaining. Continue reading “To the Grave – Everyone’s a Murderer (Review)”
Wonderbox Metal 