As far as Februarys go, I found February 2021 to be quite exceptionally high in quality when it came to metal albums. Let’s dive in to some of the best from last month… Continue reading “Monthly Overview – the Best of February 2021”
Tag: Blackened Death Metal
Suffering Hour – The Cyclic Reckoning (Review)
This is the second album from Suffering Hour, a blackened death metal band from the US.
Now here’s a release I’ve been looking forward to. I’m a big fan of Suffering Hour’s past work, (2013’s Foreseeing Exemptions to a Dismal Beyond, and then 2017’s immense In Passing Ascension), and their newest album simply takes their musical progression so far to its logical conclusion. Having learned plenty of lessons Continue reading “Suffering Hour – The Cyclic Reckoning (Review)”
Humanity’s Last Breath – Välde (Review)
This is the fourth album from Swedish death metallers Humanity’s Last Breath.
Following on from the monolithic juggernaut that was 2019’s Abyssal, Humanity’s Last Breath have pulled out all of the stops and produced their best work to date. Välde is 54 minutes of malignant modern death metal darkness. Continue reading “Humanity’s Last Breath – Välde (Review)”
Cult Burial – Cult Burial (Review)
This is the debut album from Cult Burial, a death/black/doom metal band from the UK.
After being a big fan of the band’s early work, expectations were high for Cult Burial. I have to say that they have been met, and this is a superlative album. Cult Burial play a hybrid form of blackened extreme metal, one which takes what it likes from black, death, and doom metal and then slaughters what’s left. Continue reading “Cult Burial – Cult Burial (Review)”
Elegis – Kultus (Review)
Elegis are a Polish death metal band and this is their second album.
This is the follow up to 2017’s Superhuman Syndrome, and whereas that album was a solo affair, this new one finds Elegis expanded to a three-piece. Continue reading “Elegis – Kultus (Review)”
Monthly Overview – the Best of July 2020
July was packed with strong releases. With some quality highly anticipated albums seeing the light of day in July, (Defeated Sanity, Gaerea, Imperial Triumphant), I decided to focus on some of my favourites from last month that were less likely to get loads of media coverage, (and it was a struggle to limit the selection to five). So, with that in mind, my highlights are below. What are yours? Continue reading “Monthly Overview – the Best of July 2020”
Sepulchral Curse – Only Ashes Remain (Review)
This is the debut album from Sepulchral Curse, a Finnish death metal band.
It seems an age since 2016’s At the Onset of Extinction, but we are now treated to some new material from Sepulchral Curse. Well, I’m pleased to report that the wait has been worth it. Featuring members of Solothus, (including their impressive singer), Only Ashes Remain contains 45 minutes of blackened death metal that will surely be one of the year’s death metal highlights. Continue reading “Sepulchral Curse – Only Ashes Remain (Review)”
Gaerea – Limbo (Review)
Gaerea are a Portuguese black metal band and this is their second album.
The follow up to 2018’s hugely accomplished Unsettling Whispers, Limbo is much-anticipated, and contains 52 minutes of new material. The band’s sophisticated modern black metal has developed further on Limbo, crawling into longer compositions that drip with darkness and misanthropy. Prepare yourself for Limbo. Continue reading “Gaerea – Limbo (Review)”
Azath – Through a Warren of Shadow (Review)
Azath are an international death metal band and this is their debut album.
I’m a fan of both Draghkar and Torture Rack, so as this band features members of both, (and other bands), I knew I wanted to check out Through a Warren of Shadow. Besides, Continue reading “Azath – Through a Warren of Shadow (Review)”
Lantern – Dimensions (Review)
This is the third album from Lantern, a Finnish blackened death metal band.
2017’s II: Morphosis was a grim and evil collection of tracks, and made a good enough impression that I knew I wanted to check out Dimensions when it appeared. These new tracks are dismal and dark, fusing death, black, and Continue reading “Lantern – Dimensions (Review)”

