Between the Buried and Me are a progressive extreme metal band from the US. This is their eighth album.
There are very few bands out there that truly carve their own path into the crowded metal arena, but Between the Buried and Me are definitely one of them. They have been one of my favourite bands since 2003’s The Silent Circus, and they have never let me down yet. Continue reading “Between the Buried and Me – Automata I (Review)”
Vexes are a US modern/post-metal band and this is their debut album.
Although Deftones are the obvious starting point for comparative purposes, elements of The Unguided, Poison the Well, Glassjaw, and Cave In can also be heard in the band’s sound, as well as some more atypical moments in the style of, perhaps, Norma Jean, Between the Buried and Me, and Isis. Feelings of the late 90s/early 00s are strong with this band, and from my point of view that’s no bad thing at all. Continue reading “Vexes – Ancient Geometry (Review)”
Letters from the Colony are a progressive metal band from Sweden and this is their debut album.
This is complex music, fusing modern progressive and technical metal influences with djent elements to create experimental extreme metal. Vignette is notable for many things, one of which is that it largely takes from the strengths of these styles and leaves the weaknesses floundering in the dust, which is not an easy feat to achieve. Continue reading “Letters from the Colony – Vignette (Review)”
NVC are a Canadian progressive metal band and this is their debut album.
This is modern and emotive progressive metal that marries some latter-day Anathema influences with a melodic death metal side; think Ensiferum and Wintersun for a starting point. The resulting Continue reading “NVC – The Deleted Scenes (Review)”
Ne Obliviscaris are an Australian progressive extreme metal band and this is their third album.
Urn is epic, progressive, aggressive, and textured. It’s a release that has a lot to absorb and experience, requiring multiple sittings to really even start to get the most from it. This is a complex and emotive listen, one that’s highly rewarding and enjoyable. Continue reading “Ne Obliviscaris – Urn (Review)”
Sifting are a progressive metal band from the Venezuela and based in the US. This is their debut album.
Combining modern groove and classic rock with progressive flavour, this is an enjoyable album that manages to stitch together several different rock and metal eras and styles, and is largely quite successful at doing so. Continue reading “Sifting – Not from Here (Review)”
Zaius are an instrumental post-rock band from the US and this is their debut album.
This is a multifaceted release of progressive/post-rock, fusing elements of bands such as Russian Circles, Red Sparowes, Pelican, Scale the Summit, Cloudkicker, and Between the Buried and Me into a rich, textured journey. As I’ve opined Continue reading “Zaius – Of Adoration (Review)”
Neck of the Woods are a progressive metal band from Canada and this is their debut album.
After being suitably impressed with the band’s 2015 self-titled EP, I must admit that I’ve been quite excited and looking forward to hearing some more material from them. Continue reading “Neck of the Woods – The Passenger (Review)”
The Hirsch Effekt are a German progressive metal band and this is their fourth album.
Here we have 61 minutes of progressive metal/hardcore, the likes of which you rarely encounter among the faceless hordes of most nearly-interchangeable bands. Continue reading “The Hirsch Effekt – Eskapist (Review)”
Centuries of Decay are a Canadian extreme metal band and this is their debut album.
This is extreme metal that’s both atmospheric and progressive, borrowing liberally from many extreme metal styles and sub-genres, including modern progressive metal, post-metal, death metal, and black metal. Continue reading “Centuries of Decay – Centuries of Decay (Review)”
Wonderbox Metal 