This is the debut album from German grindcore band Feind.
I often think of grindcore as one of my favourite genres, yet it’s one that I rarely get to encounter quality new bands. This is why, when I become aware of something like Ambulante Hirnamputation, I had to make sure I didn’t miss out on it. It’s 17 tracks, with a duration of only 13 minutes, and it absolutely rips the opposition to shreds. Continue reading “Feind – Ambulante Hirnamputation (Review)”
Wintersun are an extreme metal band from Finland and this is their fourth album.
Essentially a solo act backed up by some talented musicians, Wintersun’s latest record has been eagerly awaited for some time by many people in the metal world. It’s been seven long years since 2017’s The Forest Seasons, so let’s dig in and see what we have here on Time II. Continue reading “Wintersun – Time II (Review)”
Uniform are an industrial band from the US and this is their fifth album.
Ever since discovering Uniform on their 2018 album The Long Walk I’ve looked forward to every subsequent release. Whether it’s their collaborations with The Body in 2019, (Everything That Dies Someday Comes Back), or Boris in 2023, (Bright New Disease), or their most recent full length in 2020 Shame, Uniform always produce music that’s worth exploring. All of which is to say that American Standard is hotly anticipated. Continue reading “Uniform – American Standard (Review)”
This is the sixth album from Fleshgod Apocalypse, an Italian death metal band.
Both 2016’s King and 2019’s Veleno were notable records, so it’s with great interest that we turn to the 43 minutes of new music on Opera. Returning after their biggest gap between albums, after challenging adversity, and with a change in lineup since their last album, what does 2024’s Fleshgod Apocalypse have to offer the world at large? Continue reading “Fleshgod Apocalypse – Opera (Review)”
In Vain are a cracking progressive metal band from Norway with a fantastic new album that saw the light of day this year. Thanks to the band for a great opportunity to dig deeper into what makes the record tick. Continue reading “Interview with In Vain”
Nile are a US death metal band and this is their tenth album.
It has been a long five years since 2019’s Vile Nilotic Rites, which itself came four years after 2015’s What Should Not Be Unearthed. Suffice to say, Nile albums don’t come along very often, which makes The Underworld Awaits Us All a big deal in death metal circles. Continue reading “Nile – The Underworld Awaits Us All (Review)”
This is the fourth album from Canadian black metallers Spectral Wound.
Songs of Blood and Mire boasts 44 minutes of lethal black metal. Stylistically we’re talking a mixture of the Norwegian, Finnish, and Canadian scenes, so if you’re a fan of bands such as Behexen, Forteresse, Gorgoroth, Sargeist, Tsjuder, etc., then this is for you. Continue reading “Spectral Wound – Songs of Blood and Mire (Review)”
This is the debut album from Simone Simons, a symphonic metal artist from the Netherlands.
I’ve always had a healthy respect for Epica, and for the vocals of their talented singer Simone Simons, so when Vermillion appeared, it only made sense to check it out. I’m so glad I did. Continue reading “Simone Simons – Vermillion (Review)”
This is the debut EP from Ignobleth, an Italian black/death metal band.
Here’s we have a passionate slab of old-school darkness. Ignobleth play war metal brutality that’s grim and sinister. Voidspawn Sacrifice combines black and death metal – with a slight leaning towards the latter – into 15 enjoyable minutes. Continue reading “Ignobleth – Voidspawn Sacrifice (Review)”
Evilyn are an international death metal band and this is their debut album.
Evilyn play a form of death metal with strong avant-garde/dissonant leanings. Mondostrunken contains 36 minutes of material, showcasing a band that have honed their vision into an atypical beast. Continue reading “Evilyn – Mondestrunken (Review)”
Wonderbox Metal 