This is the debut album from Tiberius, a progressive metal band from the UK.
If you fancy a spot of technical wizardry with your big choruses, and are partial to a bit of Protest the Hero or the more accessible side of Between the Buried and Me, then you might want to check out these Scottish metallers. Continue reading “Tiberius – A Peaceful Annihilation (Review)”
This is the fourth album from French death metallers Exocrine.
Here we have a 42-minute blast of technical death metal. Modern in style and feel, with various progressive and melodic elements, Maelstrom makes a good impression. A very, very good impression. Repeated spins only cements this. I enjoyed 2018’s Molten Giant, but this is superior. Continue reading “Exocrine – Maelstrom (Review)”
Fellwarden are a black metal band from the UK, and this is their second album.
Brought to us by members of Fen, Wreathed in Mourncloud delivers 59 minutes of atmospheric black metal with a folk edge. Continue reading “Fellwarden – Wreathed in Mourncloud (Review)”
This is the fourth album from Pyrrhon, an extreme metal band from the US.
Over the years Pyrrhon have built up a very well-respected discography, including 2014’s The Mother of Virtues and 2017’s What Passes for Survival. Now, on Abscess Time, the the band have returned with 57 minutes of music to challenge and terrify. Continue reading “Pyrrhon – Abscess Time (Review)”
Dismalimerence are a black metal band from the US and this is their debut album.
Tome: 1 contains 53 minutes of atmospheric/progressive black metal. Dismalimerence adopt a modern approach to their material. Wrapping an atmospheric emphasis around progressive flourishes, these eight tracks take in a variety of moods, paces, and feelings, resulting in tracks that are enjoyable and satisfying. Continue reading “Dismalimerence – Tome: 1 (Review)”
Bell Witch and Aerial Ruin are both artists from the US, and they have teamed up to bring us 64 minutes of mournful doom. Although no strangers to working together, this is their first fully fledged collaboration.
This is a darkly beautiful work, constructed from Continue reading “Bell Witch and Aerial Ruin – Stygian Bough Volume 1 (Review)”
Altesia are a French progressive metal band and this is their debut album.
Despite seeing the light of day at the end of 2019, I felt compelled to shine a light on Paragon Circus once I had made its acquaintance, as it really is a damn fine record. Across 57 minutes of material, Altesia take us on a journey that’s as compelling as it is enjoyable. Continue reading “Altesia – Paragon Circus (Review)”
This is the latest EP from US death metal/deathcore band Enterprise Earth.
This EP contains a new song, (the title track), two covers, an acoustic version of an older song, and an instrumental version of the title track; 22 minutes of material in total. Continue reading “Enterprise Earth – Foundation of Bones (Review)”
Allelic is a one-man black metal band from Canada. This is his second album.
À Contre Vent is much-anticipated by yours truly, as 2018’s The Smoke of Atavistic Fires was one of my favourites from that year, despite not actually being reviewed on this site. Continue reading “Allelic – À Contre Vent (Review)”
Vile Creature are a Canadian doom band and this is their third album.
2018’s Cast of Static and Smoke was a notable album, both musically and as a conceptual work that was fleshed out by a short story. Vile Creature have now returned, and what they have unleashed on the world is a superlative piece of heavy art. Continue reading “Vile Creature – Glory, Glory! Apathy Took Helm! (Review)”
Wonderbox Metal 