This is the seventh album from Redemption, a progressive metal band from the US.
2016’s The Art of Loss was a compelling and engaging listen, skilfully weaving together melodic metal with progressive know-how. Well, a couple of years and a change of singer later, and we have a 66 minutes of new material in the shape of Long Night’s Journey into Day.
Continue reading “Redemption – Long Night’s Journey into Day (Review)”
The Lion’s Daughter are a progressive blackened sludge metal band and this is their third album.
The Lion’s Daughter always seem willing to try out new things, enhancing their core of heavy sludge with all manner of different elements depending on their mood and interests at the time. Thus far, for me their most striking Continue reading “The Lion’s Daughter – Future Cult (Review)”
Between the Buried and Me are a progressive metal band from the US and this is either their ninth album, or the second part of their eighth album, depending on how you look at it.
The follow up release to/second part of Automata I, Between the Buried and Me have returned with another 34 minutes of exciting, exceptional material. Continue reading “Between the Buried and Me – Automata II (Review)”
Carchosa is a one man Swedish thrash/death metal band. This is his debut album.
Featuring seven long songs and clocking in at just under an hour in duration, this album contains a blend of thrash and death metal, alongside a good helping of melodic and progressive elements. Continue reading “Carchosa – Carchosa (Review)”
This is the fourth album from Russian blackened melodic death metal band Second to Sun.
Apparently this is a rerecording of the band’s 2016 release Blackbound, with added vocals, and other differences. I was totally unfamiliar with Second to Sun’s work prior to listening to The Black, so I can’t comment on how this relates to Blackbound, other than to say that it does. Continue reading “Second to Sun – The Black (Review)”
The Agony Scene are a US metal band and this is their fourth album.
Tormentor is the first release from The Agony Scene since 2007’s Get Damned. I always liked this band’s razor-sharp take on modern metal, so it’s great to hear them make a return. Continue reading “The Agony Scene – Tormentor (Review)”
Cold Snap are a Croatian metal band and this is their fourth album.
I enjoyed Cold Snap’s 2015 album World War 3, which mixed modern metal and metalcore with a rare-these-days helping of nu-metal. Despite how that description probably sounds to some people, it was a recipe I quite enjoyed, so I’m now pleased to give the band’s latest effort a good listen. Continue reading “Cold Snap – All Our Sins (Review)”
Soul Attrition is a one man post-rock band from the US and this is his debut album.
The man behind this band also plays in the wonderfully alternative/sludgy Escape Is Not Freedom, so I knew I had to give this one a listen. Continue reading “Soul Attrition – Vashon Rain (Review)”
This is the ninth album from UK stoner metal band Orange Goblin.
It was 2014 when we saw the release of the first-rate Back from the Abyss. It seems like it’s been a long time since then, (and it has, I suppose), but now I’m very pleased to say that Orange Goblin are back with one of their strongest and most diverse albums to date. Continue reading “Orange Goblin – The Wolf Bites Back (Review)”
Tad Morose are a Swedish heavy metal band and this is their tenth album.
Chapter X is quite a straightforward album to describe in many ways – Tad Morose play a mix of heavy and power metal. It’s confidently delivered, professionally recorded, and full of the type of anthemic metal that’s pretty timeless. Continue reading “Tad Morose – Chapter X (Review)”
Wonderbox Metal 