This is the third album from US death metal band Alustrium.
Here we have 65 minutes of progressive technical death metal. Reading that statement you may be expecting a certain version of that style, but it’s likely that Alustrium will surprise; A Monument to Silence is much more melodic and emotionally resonant than many technical bands achieve or even aspire to. Continue reading “Alustrium – A Monument to Silence (Review)”
This is a gargantuan four-way split, consisting of 15 tracks across a total duration of 96 minutes. Continue reading “Thy Darkened Shade/Amestigon/Inconcessus Lux Lucis/Shaarimoth – SamaeLilith: A Conjunction of the Fireborn – Split (Review)”
Worm Shepherd are a blackened deathcore band and this is their debut album.
Blackened melodies expand with fiery grace and keyboards swell with malevolent doom, only to be cruelly cast aside by cold, merciless slams when the moment is right. Worm Shepherd play a form of blackened deathcore that combines Continue reading “Worm Shepherd – In the Wake ov Sòl (Review)”
This is the second album from US death metallers Seputus.
Here we have 48 minutes of psychedelic extreme metal. Combining elements of black metal, death metal, and grindcore into meaty, substantial tracks, this album is not your standard extreme metal album. Continue reading “Seputus – Phantom Indigo (Review)”
This is the second album from US death metallers Killing Addiction.
Here comes the album I’ve been interested in hearing after 2014’s When Death Becomes Art and 2016’s Shores of Oblivion. It hasn’t disappointed. Continue reading “Killing Addiction – Mind of a New God (Review)”
This is the latest EP from Finnish death metallers Sadistik Forest.
Morbid Majesties was a highlight of 2018, so it’s great to have Sadistik Forest back with some new material. Obscure Old Remains contains four songs, with a total duration of 19 minutes. Continue reading “Sadistik Forest – Obscure Old Remains (Review)”
This is the latest EP from UK death metallers Unfathomable Ruination.
After the tight ball of fury that was 2019’s Enraged and Unbound, it’s good to hear from Unfathomable Ruination once more. This new EP contains 20 minutes of material – three new songs, and a rerecorded version of an old one. Continue reading “Unfathomable Ruination – Decennium Ruinae (Review)”
This is the third album from Finnish death metallers Ghastly.
Ghastly specialise in death metal that has a sort of creeping, otherworldly malevolence to it. It’s atmospheric and sinister in ways that are unusual. You can hear the debt that has been paid to band’s such as Death and Autopsy, etc., but you can equally Continue reading “Ghastly – Mercurial Passages (Review)”
This is the third album from German deathcore band Mental Cruelty.
This is the follow up to 2019’s Inferis, although A Hill to Die Upon is a different beast to its predecessor. Although the foundations are the same, they’ve been built upon and reshaped into a far darker, more blackened Continue reading “Mental Cruelty – A Hill to Die Upon (Review)”
This is the second album from Alluvial, a modern death metal band from the US.
Sarcoma contains 38 minutes of progressive death metal. Alluvial fuse their modern approach to the style with technical, progressive, and atmospheric flourishes, yet do so in a restrained song-based way. This results in songs that are atypical expressions of Continue reading “Alluvial – Sarcoma (Review)”
Wonderbox Metal 