This is the seventh album from French solo black metal act Esoctrilihum.
I enjoyed 2018’s Pandaemorthium (Forbidden Formulas to Awaken the Blind Sovereigns of Nothingness), and then enjoyed even more 2021’s Dy’th Requiem for the Serpent Telepath. Has this upward trajectory of enjoyment continued with Consecration of the Spiritüs Flesh? Continue reading “Esoctrilihum – Consecration of the Spiritüs Flesh (Review)”
This is the debut album from international black metal band Merihem.
Featuring members of bands such as Frostmoon Eclipse, Israthoum, Manetheren, and Suffering Hour, Incendiary Darkness contains 39 minutes of occult black metal.
These songs weep nightmare Continue reading “Merihem – Incendiary Darkness (Review)”
This is the third album from US melodic black metal band Inexorum.
Inexorum play fast-paced melodic black/death metal, combining both styles into a sharp blackened framework. Equinox Vigil contains 40 minutes of quite satisfying music. Continue reading “Inexorum – Equinox Vigil (Review)”
This is the third album from Ukrainian post-black metalers White Ward.
2016’s Futility Report was a fine album, but when 2019’s Love Exchange Failure came along it really made its mark on the extreme metal landscape. Last year’s Debemur Morti teased us some new material, but now here’s the main event. So what does False Light hold for us? Continue reading “White Ward – False Light (Review)”
Denouncement Pyre are an Australian black metal band and this is their fourth album.
Forever Burning is a 42-minute collection of black metal songs that is fast, aggressive, and ripe with evil intent.
Upbeat and energetic, the band’s Continue reading “Denouncement Pyre – Forever Burning (Review)”
This is the third album from Italian black metallers Ad Noctem Funeriis.
Abyss, Fire, Brimstones contains 44 minutes of pure blackened aggression. Ad Noctem Funeriis play a stripped-back, focused version of black metal that derives its core from the dark heart of the second wave. Continue reading “Ad Noctem Funeriis – Abyss, Fire, Brimstones (Review)”
This is the fifth album from French progressive black/death metallers.
Helioss play a hybrid style of black and death metal that has progressive influences and symphonic aspects. Across 62 minutes Contre ma Lumière delivers a multifaceted album of atmosphere, aggression, and majestic grandeur. Continue reading “Helioss – Contre ma Lumière (Review)”
Miasmes are a French black metal band and this is their debut EP.
Miasmes play classic second wave black metal with an underlying punk energy. It’s old-school and raw, and pretty damn nasty. Continue reading “Miasmes – Vermines (Review)”
This is the fourteenth album from Blut Aus Nord, a French black metal band.
A new Blut Aus Nord release is always worth paying attention to. Over the years the band have ranged through a variety of dark, blackened styles, (see some examples, here, here, here, and here), so what delights does Disharmonium – Undreamable Abysses hold? Continue reading “Blut Aus Nord – Disharmonium – Undreamable Abysses (Review)”
This is the debut album from Black Void, a Norwegian black metal band.
Featuring members of Borknagar, Ihsahn, In Vain, Profane Burial, and Solefald, Antithesis delivers 39 minutes of furious black metal cut with harsh hardcore punk, black ‘n’ roll, and some unexpectedly anthemic influences. Continue reading “Black Void – Antithesis (Review)”
Wonderbox Metal 