Protosequence are a Canadian technical death metal band and this is their debut album.
Bestiary contains 33 minutes of technical mayhem that’s unusually variegated. After enjoying Protosequence’s 2020 EP A Blunt Description of Something Obscene I was looking forward to hearing this, and it has not disappointed. Quite the opposite in fact. Continue reading “Protosequence – Bestiary (Review)”
This is the seventh album from UK death metallers Ingested.
So, if you’re a fan of deathcore-edged brutal death metal, then you must surely know of Ingested by now, (if not, acquaint yourself with The Level Above Human, Where Only Gods May Tread, Ashes Lie Still, and the rest). Ingested seem to be on a bit of a creative binge over the last few years, pumping out albums like nobody’s business, which brings us to the 45 minutes of heaviness that is The Tide of Death and Fractured Dreams. Continue reading “Ingested – The Tide of Death and Fractured Dreams (Review)”
This is the ninth album from Italian death metallers Hour of Penance.
I always enjoy a bit of Hour of Penance’s brutality. Devotion follows on from 2017’s Cast the First Stone and 2019’s Misotheism, delivering 38 minutes of textured death metal destruction. Continue reading “Hour of Penance – Devotion (Review)”
Funeral Leech are a death/doom metal band from the US and this is their second album.
I enjoyed 2020’s Death Meditation, so knew I didn’t want to miss out on hearing The Illusion of Time. I’m glad I didn’t either, as this is a damn fine album. Continue reading “Funeral Leech – The Illusion of Time (Review)”
This is the third album from US death metal band Witch Vomit.
Witch Vomit are such an enjoyable band, and I really liked the filthy, gruesome old-school rot of A Scream from the Tomb Below, Poisoned Blood, and Buried Deep in a Bottomless Grave. But wait, change is afoot in the Witch Vomit camp. What does that mean for the 31 minutes of Funeral Sanctum? Continue reading “Witch Vomit – Funeral Sanctum (Review)”
This is the second album from US black/death metal band Diabolic Oath.
After enjoying Diabolic Oath’s Divinations split with Aberration not so long ago, I’m both surprised and pleased that Oracular Hexations has come along so quickly. Clocking in at 36 minutes, it’s a violent, barbaric mix of brutal black metal and hideous death metal. Continue reading “Diabolic Oath – Oracular Hexations (Review)”
This is the debut album from Greek black/death metal band Kvadrat.
The Horrible Dissonance of Oblivion is a 44-minute leviathan that swims through dark, dissonant waters with the self-assured skill of an apex predator. Combining black and death metal into a monster of dissonant nightmare, the artist behind Kvadrat’s skill in delivering this style is impressive and rewarding. Continue reading “Kvadrat – The Horrible Dissonance of Oblivion (Review)”
Apparition are a death metal band from the US and this is their second album.
Featuring an ex-member of Nails, Apparition play progressive death/doom metal. On Disgraced Emanations from a Tranquil State they deliver 38-minutes of music that hits the spot. Continue reading “Apparition – Disgraced Emanations from a Tranquil State (Review)”
This is the debut album from US death metal band Aberration.
Hot on the heels of January’s split with Diabolic Oath comes the hideous 42-minute Refracture. After that release, I was looking forward to hearing more from both bands, but I wasn’t expecting something so soon. Continue reading “Aberration – Refracture (Review)”
This is the second album from US death metallers Civerous.
We last met Civerous on their 2020 split with Stygian Obsession, so it’s great to be able to hear a full album from them. Brought to us by members of Aylwin and Tzompantli, Maze Envy contains 42 minutes of cavernous death that’s wrapped around doom and black metal elements. Continue reading “Civerous – Maze Envy (Review)”
Wonderbox Metal 