This is the second album from US sludge metal band Yautja.
The Lurch is a 46-minute hybrid of ugly sludge metal, vicious grind, and filthy punk. With less grindcore on display than on their previous 2014 album Songs of Descent, The Lurch is still a gnashing, biting thing. This Continue reading “Yautja – The Lurch (Review)”
This is the second album from Dordeduh, a progressive metal band from Romania.
Featuring current/ex-members of Argus Megere/Negură Bunget, Har treats the listener to 62 minutes of blackened progressive metal. Continue reading “Dordeduh – Har (Review)”
This is a split between post-metal bands Psychonaut from Belgium and Sâver, (who also feature members of Hymn), from Norway.
Psychonaut start the split with the 16-minute The Great Realisation. Continue reading “Psychonaut/Sâver – Emerald – Split (Review)”
Awenden and Feminazgûl are both atmospheric black metal bands from the US, and they have teamed up for this split release; three songs, 30 minutes in total.
We start with a single track from Awenden, which is a solo act with guests, (vocals/flute). Continue reading “Awenden/Feminazgûl – Split (Review)”
Nemorous are a UK black metal band and this is their debut EP.
Nemorous contains 36 minutes of music in the form of four original tracks, (three songs), and a cover of a In Gowan Ring song. Featuring current and ex-members of bands such as Wodensthrone, Ahamkara, Vacivus, and Axis of Perdition, you know that Nemerous are an experienced bunch before the record even starts. Continue reading “Nemorous – Nemorous (Review)”
This is the debut album from Canadian black metal band Oriflamme.
Oriflamme’s black metal combines furious intensity with atmospheric appeal. When the band play fast they play with fire and vigour, but when they slow down is when the real dark magic happens. Continue reading “Oriflamme – L’égide Ardente (Review)”
This is the second album from solo blackened metalcore act The Ember, the Ash.
Fixation is an interesting blend of symphonic black metal and breakdown-heavy metalcore. Only a few bands are playing around with blackened elements in metalcore, to varying degrees of success, so it’s always good to hear another such act throw their interpretation of this unusual subgenre into the ring. Continue reading “The Ember, the Ash – Fixation (Review)”
Olhava are a Russian black metal band and this is their fourth album.
Frozen Bloom is a 59-minute exploration of loss and mournful intensity. The band’s post-blackened brew is concocted from the bones of atmospheric black metal, blackgaze’s warmth of emotion, dark ambience, and synth-driven drone. Continue reading “Olhava – Frozen Bloom (Review)”
In Asymmetry are an international death metal band and this is their debut album.
Featuring current and ex-members of bands such as The Ritual Aura, Deeds of Flesh, Arsis, Eschaton, Pillory, Inanimate Existence, and The Kennedy Veil, Ashes of Dead Worlds contains a lot of experience packed tightly into its 34 minutes. Continue reading “In Asymmetry – Ashes of Dead Worlds (Review)”
Inferno are a black metal band from the Czech Republic and this is their eighth album.
I always enjoy a new encounter with the work from Inferno. Both 2013’s Omniabsence Filled by His Greatness and 2017’s Gnosis Kardias (of Transcension and Involution) were enjoyable and satisfying examples of sophisticated black metal art. Continue reading “Inferno – Paradeigma (Phosphenes of Aphotic Eternity) (Review)”
Wonderbox Metal 