Label Roundup: I, Voidhanger Records – Creature, Mystras, Ars Magna Umbrae, & Vertebra Atlantis (Reviews)

Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This new column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.

I, Voidhanger Records consistently puts out high quality, frequently non-standard music. One of their releases is always an interesting proposition to explore. Below you’ll find four of the label’s more recent ones; make sure you give each of them the time it deserves… Continue reading “Label Roundup: I, Voidhanger Records – Creature, Mystras, Ars Magna Umbrae, & Vertebra Atlantis (Reviews)”

Cave Bastard – Wrath of the Bastard (Review)

Cave Bastard - Wrath of the BastardThis is the second album from US extreme metallers Cave Bastard.

2018’s The Bleak Shall Devour the Earth was a record I enjoyed, so I was keen to catch up with what the band were offering in 2021. Continue reading “Cave Bastard – Wrath of the Bastard (Review)”

Hyperdontia – Hideous Entity (Review)

Hyperdontia - Hideous EntityThis is the second album from Hyperdontia, an international death metal band.

Hyperdontia, (who feature current and ex-members of Burial Invocation, Diabolizer, and Sulphurous), present us with 39 minutes of old-school death metal on Hideous Entity. Continue reading “Hyperdontia – Hideous Entity (Review)”

Vomit the Soul – Cold (Review)

Vomit the Soul - ColdThis is the third album from Vomit the Soul, an Italian death metal band.

Featuring current and ex-members of Bloodtruth and Septycal Gorge, Vomit the Soul play brutal slam death metal. Continue reading “Vomit the Soul – Cold (Review)”

Dauþuz – Vom Schwarzen Schmied (Review)

Dauþuz - Vom Schwarzen SchmiedThis is the fourth album from German black metallers Dauþuz.

Vom Schwarzen Schmied gives us 57 minutes of well-crafted black metal to sink our teeth into. Continue reading “Dauþuz – Vom Schwarzen Schmied (Review)”

Label Roundup: Transcending Obscurity – Heads for the Dead, Replicant, Norse, & Noltem (Reviews)

Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This new column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.

Transcending Obscurity is an excellent record label that has released some phenomenal music over the years. If you have the time I highly recommend going back through the label’s multifaceted back catalogue as there are some true gems there. Let’s have a look at a selection of their more recent output below… Continue reading “Label Roundup: Transcending Obscurity – Heads for the Dead, Replicant, Norse, & Noltem (Reviews)”

Mother Iron Horse – Under the Blood Moon (Review)

Mother Iron Horse - Under the Blood MoonThis is the second album from US stoner metallers Mother Iron Horse.

Under the Blood Moon contains 37 minutes of riotous fun and escapist storytelling. Mixing stoner metal with sludge heaviness, Mother Iron Horse’s music is easy to like; the band just want to party hard and crush some skulls with their sludgy stoner metal, what’s not to like? Mother Continue reading “Mother Iron Horse – Under the Blood Moon (Review)”

Fornhem – Stämman från Berget (Review)

Fornhem - Stämman från BergetFornhem are a Swedish black metal band and this is their second album.

On Stämman från Berget Fornhem offer a traditional black metal approach with tastefully integrated folk elements and the occasional more modern influence. Continue reading “Fornhem – Stämman från Berget (Review)”

Adoperta Tenebris – Oblivion: the Forthcoming Ends (Review)

Adoperta Tenebris - Oblivion the Forthcoming EndsThis is the second album from French black metal solo act Adoperta Tenebris.

Oblivion: the Forthcoming Ends contains 48 minutes of black metal that has a strong second wave Scandinavian influence and a smattering of death metal ones. Continue reading “Adoperta Tenebris – Oblivion: the Forthcoming Ends (Review)”