Coilguns are a hardcore band from Switzerland and this is their third album.
It doesn’t seem that long ago since 2018’s Millennials burst onto the scene, and I suppose it wasn’t, really. However, already Coilguns, (boasting ex-members of The Ocean) are back with a new 41 minutes of unusual hardcore punk, (as well as some rather striking album art). Continue reading “Coilguns – Watchwinders (Review)”
This is the second album from Cleric, a death metal band from the US.
It’s been quite a wait since 2013’s very tasty Gratum Inferno, and so, sucker that I am for this sort of thing, I was eagerly looking forward to this one. Continue reading “Cleric – Serpent Psalms (Review)”
This is the second album from Dawn Ray’d, a black metal band from the UK.
Dawn Ray’d play classic, second wave-inspired black metal, with moments of folk interspersed here and there. Violin features prominently, and enhances the music in unobtrusive ways. Continue reading “Dawn Ray’d – Behold Sedition Plainsong (Review)”
This is the eighth album from Hour of Penance, an Italian death metal band.
The follow up to 2017’s enjoyable Cast the First Stone, Misotheism offers the listener 41 minutes of professional, merciless death metal. Blending brutality and technicality well, this new album is easy to listen to if you’re a fan of solid, classically-delivered death metal. Continue reading “Hour of Penance – Misotheism (Review)”
Fit for an Autopsy are a deathcore band from the US and this is their fifth album.
This album follows on from 2017’s hugely enjoyable The Great Collapse, which stood tall and proud as an example of deathcore that took influence from the original parameters of the genre, but had also progressed beyond it. The Sea of Tragic Beasts finds the band continuing down their chosen path, merging deathcore ferocity with post-deathcore progressive atmospherics and emotional content. Continue reading “Fit for an Autopsy – The Sea of Tragic Beasts (Review)”
This is the debut album from US death metallers Coffin Rot.
Coffin Rot’s self-titled demo from last year made an impression, so how could I pass up on the band’s first full-length? All four tracks from that demo have made it to A Monument for the Dead, with the 32-minute running time rounded out by a further four new tracks. Continue reading “Coffin Rot – A Monument to the Dead (Review)”
Uneven Structure are a French progressive metal band and this is their third album.
I really enjoyed 2017’s La Partition, so it’s good to have some more material from the band. On Paragon Uneven Structure run through 53 minutes of modern progressive metal that demonstrates a band at the height of their abilities. Continue reading “Uneven Structure – Paragon (Review)”
Sons of Alpha Centauri are from the UK and this is their latest release. They play instrumental progressive rock.
Sons of Alpha Centauri return! I’ve enjoyed their work in the past, having been introduced to them on their split with Karma to Burn, and then subsequently impressed by their 2018 album Continuum. Continue reading “Sons of Alpha Centauri – Buried Memories (Review)”
This is the third album from US deathcore/death metal band Signs of the Swarm.
I enjoyed 2017’s The Disfigurement of Existence, which took the standard deathcore template and injected into it brutal slamming death metal and the very occasional bout of melody and atmosphere. On Vital Deprivation the band have returned with 27 minutes of new material, and a changed style and singer too. Continue reading “Signs of the Swarm – Vital Deprivation (Review)”
This is the thirteenth album from Blut Aus Nord, a French black metal band.
You never quite know what you’re going to be getting with a Blut Aus Nord release, and on Hallucinogen the band have mutated once again. Their latest incarnation is an avant-garde progressive black metal monster, emphasising atmosphere and feeling via engaging blackened soundscapes. Continue reading “Blut Aus Nord – Hallucinogen (Review)”
Wonderbox Metal 