Despite are from Sweden and play modern metal. This is their third album.
This makes a good impression very early on. Despite play a kind of modern metal that takes from the Swedish melodic death metal scene of yore, as well as more modern and even some progressive/djent elements. Synergi is my first exposure to the band, and to my ears comes across as a mix of Darkane, In Flames, Fear Factory and Whitechapel.
With three guitarists, the music is nicely heavy and treads the line Continue reading “Despite – Synergi (Review)”
The debut album from Hollow Bones is a furiously energetic beast of modern heaviness and bright melodies. Blending honest aggression and dark emotion, Lionheart is an untamed beast that revels in its freedom to roam where it wants. Singer Patrick Anthony spoke eloquently about his band, his album, and about the ubiquity of loss…
Introduce us to Hollow Bones!
Hi! Hollow Bones is Patrick (me), Sharon, Andrew, Connor, and Kyle. I do vocals, Sharon plays guitar and does vocals, Kyle plays bass and does vocals, Andrew plays guitar, and Connor plays drums!
I didn’t realise it at first, but I actually have Edenborn’s Twentyone Eightythree – what’s the story behind your change in name?
Continue reading “Interview with Hollow Bones”
Indian death metallers Godless have unleashed a monster of a debut release in Centuries of Decadence. Muscular metal with thrashing groove has rarely sounded so good and this EP has made an indelible mark on the death metal landscape as far as I’m concerned. I can’t wait to hear what they do next. In the meantime, let’s find out a bit more about the band…
Introduce us to Godless!
We conceptualised the idea of Godless around March 2015. Our aim with Godless is to create music that is powerful and aggressive. It took us a few months to find our sound and direction. By around September we had a setlist and managed to get a vocalist who was on the same page as us and started gigging in October. Continue reading “Interview with Godless”
Diamond Head are a metal band from the UK, this is their seventh album.
One of the original NWOBHM bands that formed way back in the late 70s, Diamond Head need little introduction to most people, although probably few have actually heard their music directly. Always poised for success, it has nevertheless Continue reading “Diamond Head – Diamond Head (Review)”
Strafk are a Russian black metal band and this is their second EP.
Their début EP, Phaseshifting, was experimental black metal, all dark, menacing guitars and free-form malevolence.
There are two tracks on this new release, with the entire EP lasting under 10 minutes in total, and it has a different feel to it than Phaseshifting.
Up first is a track named Φόβος, and starts off with a sinister Continue reading “Strafk – Entomophobia (Review)”
This is the third album from this one-man US atmospheric post-black metal band.
Last year’s Entropy was a jaw-dropping release that was chock-full of atmospheric blackened goodness. It was a highly accomplished album and Elusion continues the theme.
Like Entropy, this is very atmospheric and richly textured music. It has elements of psychedelic, progressive and depressive Black Metal, as well as aspects of doom and post-metal. This all manifests in well-realised songs that follow Continue reading “Echoes of the Moon – Elusion (Review)”
This is the second album from VIII, an Italian black metal band.
VIII have produced an ambitious release that spans 50 minutes across three sprawling, ugly tracks. This is not an album for people who like polished, shiny music. Oh no. This is the sound of dying, decay and forgotten dreams.
Decathexis sees the band playing raw, underground black metal with a mean, dispirited edge. Alongside the Continue reading “VIII – Decathexis (Review)”
Warped Cross are a sludge metal band from Germany and this is their début album.
This is underground filthy sludge metal that takes inspiration from bands like Eyehategod, Crowbar, Down, Corrosion of Conformity, Cathedral and Electric Wizard. There’s a hint of, (dirtied-up), grunge in their sound, (not too dissimilar from the recent Boss Keloid album), as well as some pinches of old-school punk. There’s even a touch of Type O Negative in places.
This is raw and utterly unpolished, but Continue reading “Warped Cross – Abbot of Unreason (Review)”
This is the début album from this Swiss post-hardcore/sludge band.
There are only two tracks on this release, but lasting 39 minutes in total there’s more than enough content to keep people happy. Although, as we’ll see, happiness might not be the best term used in conjunction with the music on here.
So what do we have here, then? Rue des Cascades play music that combines ambient/post-rock quietness with louder post-hardcore/sludge sections. This is quite atypically done, though, and isn’t a case of simply juxtaposing clean/distorted or Continue reading “Rue des Cascades – Odes to Love, Flames to Paris (Review)”
This is the début album from US doom metal band Chalice of Suffering.
Across this 72 minute release Chalice of Suffering offer up their brand of misery-laden funeral doom for the delectation of listeners everywhere.
For You I Die is slow, dark and atmospheric. The songs take Continue reading “Chalice of Suffering – For You I Die (Review)”