I’ve never seen Alcest before, so this was a great opportunity to remedy that, especially as the wonderful Svalbard were also playing. Doodseskader too, but I don’t really know them. Continue reading “Alcest/Svalbard/Doodseskader – Academy 2, Manchester – 12/12/24 (Live Review)”
This is the debut album from US post-metal band Pillar of Light.
Caldera contains 56 minutes of hulking heaviness and shaded darkness. Pillar of Light blend doom, sludge, and post-metal elements into a churning pot and use these choice ingredients to produce something weighty and thick, yet surprisingly tasty. Continue reading “Pillar of Light – Caldera (Review)”
Still are a post-black metal band from the UK and this is their second album.
Still boast a fierce, ugly sound that’s equal parts black metal, sludge, and hardcore, resulting in a post-blackened 35-minute burst of punishment that’s damaging, yet moreish. The more Still scar and brutalise you, the more you want more. Continue reading “Still – A Theft (Review)”
Primal Code are a death metal band from the US and this is their debut album.
Featuring a current/ex-member of Anatomy of Habit, Indian, Lord Mantis, and Wolves in the Throne Room, Primal Code play old-school death metal, and on Opaque Fixation they bring us 39 minutes of crushing riffery. Continue reading “Primal Code – Opaque Fixation (Review)”
This is the second album from UK post-metal band Codespeaker.
Featuring current/ex-members of Dvne and Frontierer, Codespeaker have arrived ready to flatten with all of the considerable weight they can bring to bear. Taking influence from the post-metal giants of Neurosis, Cult of Luna, and Isis, Codespeaker have crafted a 51-minute journey into darkness. I’ll also mention bands such as Bossk, Briqueville, and Hundred Year Old Man as appropriate reference points too. Continue reading “Codespeaker – Scavenger (Review)”
Another year, another Damnation Festival. As always, the organisers are to be commended for putting on one of the UK’s premier metal festivals. I’ve been coming here most years for almost two decades now, and I’ve never yet had a bad day.
There are three stages. Two smaller stages that clash with each other, and a main stage that clashes with nothing. Continue reading “Damnation Festival 2024 – BEC Arena, Manchester – 02/11/24 (Live Review)”
This is the fifth album from Polish experimental metal band Thaw.
It’s been more than a while since 2017’s Grains, so I was intrigued to see what Thaw have to offer in 2024. An experimental act, who have operated in black metal, sludge, doom, drone, ambient, and noise waters across their career, what does Fading Backwards and its 36 minutes of new material bring us? Continue reading “Thaw – Fading Backwards (Review)”
This is the third album from US blackened extreme metallers Immortal Bird.
It’s been a long time since 2019’s Thrive on Neglect and an even longer time since 2015’s Empress/Abscess, (a standout release of that year), so it’s a real treat to have Immortal Bird back with us. Continue reading “Immortal Bird – Sin Querencia (Review)”
Oryx are a sludge metal band from the US and this is their fourth album.
I enjoyed 2021’s Lamenting a Dead World a great deal, so I knew I had to check out Primordial Sky. Across 41 minutes Oryx once again deliver a weighty slab of blackened sludge doom that’s more expressive than most. Continue reading “Oryx – Primordial Sky (Review)”
This is the second album from UK doomgaze band Sugar Horse.
The Grand Scheme of Things contains an hour of idiosyncratic and expressive music. The style overall can be thought of as doomgaze, although it has a variety of ingredients, including indie, shoegaze, sludge, doom, drone, and post-rock/metal. Continue reading “Sugar Horse – The Grand Scheme of Things (Review)”
Wonderbox Metal 