Vígljós are a Swiss black metal band and this is their second album.
Tome II: Ignis Sacer contains 43 minutes of material from this enigmatic act. Vígljós’ style is rooted in the second wave, but brought to life with expressive synths, mellotron, and an occasional hard rock feel to some of the riffs. Continue reading “Vígljós – Tome II: Ignis Sacer (Review)”
This is the debut EP from Swedish solo black metal act Shatterer.
The Shatterer style is atavistic, violent, and moody. It’s firmly rooted in the 90s second wave, with suitably raw and unpolished production values. Mainstream black metal this is not. It’s a journey back in time, to the dawn of the genre, and burns with passionate zeal because of this. Continue reading “Shatterer – Fire (Review)”
Doom Cult Commando are a German black metal band and this is their debut release.
Originally seeing the light back in January, Das Erwachen der Schlange is a 19-minute assault of raw black metal. Across four tracks, Doom Cult Commando reveal their iron grip on what it takes to make old-school Satanic black metal. The production is grim and raw, but not overly so, and the band weaponise this in their war against the light. Continue reading “Doom Cult Commando – Das Erwachen der Schlange (Review)”
This is the eighth album from Australian black metal band Pestilential Shadows.
For such a long-running band this is my first encounter with Pestilential Shadows. Wretch caught my eye though, with its 48 minutes of material that satisfies my taste for all things old-school black metal. Continue reading “Pestilential Shadows – Wretch (Review)”
This is the debut album from Italian black metal band Blutsauger.
Nocturnal Blood Tyrants contains 34 minutes of primal, atavistic black metal. Blutsauger play it hard, nasty, and grim. It may be 2025, but around these parts it’s 1993. I liked this one a lot. Continue reading “Blutsauger – Nocturnal Blood Tyrants (Review)”
This is the debut album from US black metal band Execrari.
Containing a member of Relentless, Execrari’s style is rooted in black metal’s second wave, while also showing some contemporary influences and progressive, melodic, and avant-garde tendencies. Desolation Manifest has come out of nowhere to really impress. There are six songs, spanning 47 minutes, and each track is a powerful reminder of just how potent black metal can be in the right hands. Exciting even, despite its ancient roots. Continue reading “Execrari – Desolation Manifest (Review)”
This is the third album from US black metal solo act Blackbraid.
Following on from 2022’s Blackbraid I and 2023’s Blackbraid II, Blackbraid III contains 52 minutes of music, (including a Lord Belial cover), and continues to meet the benchmark of high quality black metal that its predecessors set. Continue reading “Blackbraid – Blackbraid III (Review)”
This is the second album from UK black metallers Sea Mosquito.
Majestas contains 44 minutes of esoteric black metal. As a rough starting point, think of a compelling mix of bands such as Aara, Blut Aus Nord, Inherits the Void, Deathspell Omega, Labyrinthus Stellarum, Mare Cognitum, Selbst, and Vorga, although Sea Mosquito do offer up an experience that’s their own. Continue reading “Sea Mosquito – Majestas (Review)”
This is the debut album from US black metal band Vakker.
I only encountered What Will Become of Our Pain due to a random social media recommendation, and I’m very glad I did. Vakker play atmospheric black metal, only with the sort of horrific, monstrous vocals that you wouldn’t normally associate with the style. Continue reading “Vakker – What Will Become of Our Pain (Review)”
This is the third album from US black metal band Oskoreien.
After enjoying both previous Oskoreien albums, it’s come as a surprise to discover that I never actually reviewed either of them. Hollow Fangs is a great opportunity to remedy this, and it’s Oskoreien’s first outing as a full band too. Hollow Fangs contains 39 minutes of new material, so let’s dive in. Continue reading “Oskoreien – Hollow Fangs (Review)”
Wonderbox Metal 