Brough to us by members of Corpsessed and Desolate Shrine, The Ashen Abhorrence contains 42 minutes of authentic second wave black metal. Worshipping at the altar of the 90s classics, Pestilent Hex combine elements of bands such as Emperor, Gehenna, Satyricon, Dimmu Borgir, and Arcturus, while injecting their own grim character, to produce an enjoyable slice of symphonic blackened art. Continue reading “Pestilent Hex – The Ashen Abhorrence (Review)”
Apparently a demo version of this was released in 2019, but this definitive version is a complete rerecording of the songs, with some rearranging going on too.
Vong’s music is an atavistic example of the core blackened Continue reading “Vong – A Wander in Liminality (Review)”
Ascension contains 42 minutes of second wave black metal played in the classic style.
Serpents Oath’s music is dark and aggressive. It combines lethal speed with mystical atmosphere. Blackened leads add melodic Continue reading “Serpents Oath – Ascension (Review)”
Forever Burning is a 42-minute collection of black metal songs that is fast, aggressive, and ripe with evil intent.
Upbeat and energetic, the band’s Continue reading “Denouncement Pyre – Forever Burning (Review)”
Abyss, Fire, Brimstones contains 44 minutes of pure blackened aggression. Ad Noctem Funeriis play a stripped-back, focused version of black metal that derives its core from the dark heart of the second wave. Continue reading “Ad Noctem Funeriis – Abyss, Fire, Brimstones (Review)”
Miasmes play classic second wave black metal with an underlying punk energy. It’s old-school and raw, and pretty damn nasty. Continue reading “Miasmes – Vermines (Review)”
Brought to us by current and ex-members of bands such as Insomnium, Malpractice, Omnium Gatherum, Paradise Lost, and Vallenfyre, While the Gods Are Sleeping is a 38-minute record influenced by the 90s second wave of black metal. Continue reading “I Am the Night – While the Gods Are Sleeping (Review)”
This is the follow up to 2018’s Trident Wolf Abyss and contains 50 minutes of new material. The Agony & Ecstasy of Watain is raw and unforgiving, but not without character or atmosphere. The songs have the feel of those on classic second Continue reading “Watain – The Agony & Ecstasy of Watain (Review)”
Another year, another Aethyrick album. Which is no bad thing, in my opinion, as so far the band have managed to keep the quality levels high enough to warrant such an output. Following on from last year’s enjoyable Apotheosis, (which itself followed 2020’s Gnosis and 2018’s Praxis), Pilgrimage contains 42 minutes of new material and sees Aethyrick continue their positive trend, albeit with some course corrections this time. Continue reading “Aethyrick – Pilgrimage (Review)”
Following on from 2016’s very enjoyable Where Shadows Forever Reign, We Are the Apocalypse contains 44 minutes of Dark Funeral doing an updated version of what Dark Funeral do best. Continue reading “Dark Funeral – We Are the Apocalypse (Review)”