Dying Whale are a US hardcore band and this is their latest release.
Last Moments of Misery is a 34 minute mix of hardcore, punk, metal and sludge.
Starting with a firm punk/hardcore base to their music, metal and sludge influences are liberally thrown over the top of it to get the end result that they want. Continue reading “Dying Whale – Last Moments of Misery (Review)”
Iron Reagan are a crossover band from the US. This is their third album.
Made up of current and ex-members of bands such as Municipal Waste, Cannabis Corpse, Mammoth Grinder, Darkest Hour and Deathcrown, Crossover Ministry is 18 tracks spread across 29 minutes of riotous metallic hardcore thrash. Continue reading “Iron Reagan – Crossover Ministry (Review)”
This is the second album from Ande, an atmospheric black metal solo project from Belgium.
We have already encountered Ande’s 2015 debut Licht, and now it’s time to take a look at the follow up.
Longer by about 15 minutes than the first release, Het Gebeente is a more mature, confident and assured selection of dark hymns.
Starting off with a piano intro, the remaining five songs, (the sixth is different), mix the second wave of black metal with Continue reading “Ande – Het Gebeente (Review)”
This is the debut album from UK death metallers Repulsive Vision.
Influenced by the old-school death metal classics, the songs on Look Past the Gore and See the Art are mainly short and to the point, with a slight punk/hardcore influence here and there. Continue reading “Repulsive Vision – Look Past the Gore and See the Art (Review)”
Legendary Brazilian metal band Sepultura return with their fourteenth album.
On Machine Messiah Sepultura continue their blend of thrash, modern metal, experimental metal and tribal percussion, and they do this in such a way on this release that they sound revitalised, energised and fresh.
The band’s albums are frequently exploratory and tentative in nature, with a mix of straightforward metal tracks and more experimental ones that see them pushing the envelope and trying new things. Continue reading “Sepultura – Machine Messiah (Review)”
Prisoner 639 are from Belgium and play grinding powerviolence. They have teamed up for this split with Dutch sludge band Throw Me in the Crater.
Prisoner 639 get things going in a slow-burning fashion, opening up with lots of noise, distortion and feedback. Before long some drums and bass enter the fray, producing grim sludgy sounds. After a couple of minutes of this the Continue reading “Prisoner 639/Throw Me in the Crater – Split (Review)”
Call of the Void are a US hardcore/grindcore band and this is their latest EP.
Call of the Void operate from a mixture of hardcore, grind and sludge metal influences. This sees them taking all three, rolling them into a dense, dangerous ball and then throwing it as hard as they can at anyone close by.
It’s always good to hear the band. Continue reading “Call of the Void – AYFKM (Review)”
Zeit are an Italian hardcore band and this is their latest EP.
It seems like only yesterday that 2015’s The World Is Nothing tore into the world with their brand of dissonant, violent Hardcore. The band are now back with a new EP, consisting of three originals and an At the Gates cover. It’s 11 minutes of intensity. Continue reading “Zeit – Monument (Review)”
Martyrdöd are a hardcore band from Sweden. This is their sixth album.
2014’s Elddop was an enjoyable smashing of hardcore, punk, crust, d-beat and metal. List continues this tradition, providing us with a condensed 36 minutes of furious battering. Continue reading “Martyrdöd – List (Review)”
Teksti-TV 666 are an alternative rock band from Finland. This is a compilation album of sorts, consisting of three EPs that the band have previously released.
This is an interesting and irregular release. It’s kind of a mix of bubblegum-pop with Continue reading “Teksti-TV 666 – 1, 2, 3 (Review)”
Wonderbox Metal 