Progressive Doom Metal – Wonderbox Metal

Void of Sleep – The Abyss into Which We All Have to Stare (Review)

This is the fourth album from Italian progressive doom/sludge metallers Void of Sleep.

It feels like an age has passed since 2020’s sterling record Metaphora, so it’s great that Void of Sleep grace us with their progressive doom/sludge metal once more. Containing 52 minutes of new material, The Abyss into Which We All Have to Stare is an album to spend some quality time with, unlocking its multitude of secrets. Continue reading “Void of Sleep – The Abyss into Which We All Have to Stare (Review)”

Monolithe – Black Hole District (Review)

This is the tenth album from French doom band Monolithe.

Following on from 2022’s Kosmodrom, Monolithe return, with 55 minutes of new material in the brooding shape of Black Hole District. Monolithe have a strong track record, and their latest release is a continuation of their high quality output. Continue reading “Monolithe – Black Hole District (Review)”

Grey Skies Fallen – Molded by Broken Hands (Review)

This is the sixth album from Grey Skies Fallen, a progressive/melodic doom band from the US.

Following on from 2014’s The Many Sides of Truth and 2020’s Cold Dead Lands comes Molded by Broken Hands, which contains 48 minutes of new material. Continue reading “Grey Skies Fallen – Molded by Broken Hands (Review)”

Flesh of the Stars – The Glass Garden (Review)

Flesh of the Stars are from the US and play doom metal. This is their fifth album.

Flesh of the Stars are a band that I always enjoy catching up with. 2015’s Hide, 2017’s Anhilla, and 2019’s Mercy are all albums worthy of your time, and the same is true of their new record, The Glass Garden, doubly so in fact. Continue reading “Flesh of the Stars – The Glass Garden (Review)”

Lux Incerta – Dark Odyssey (Review)

This is the second album from French doom metal band Lux Incerta.

Lux Incerta are inspired by the 90s UK doom scene, and list bands such as Paradise Post, Cathedral, and My Dying Bride as prime influences. Alongside the distinctly non-doom Iron Maiden, which they also state as an influence, the band have used these starting points to craft 61 minutes of immersive doom metal. Continue reading “Lux Incerta – Dark Odyssey (Review)”

Vokonis – Odyssey (Review)

This is the fourth album from Vokonis, a progressive doom metal band from Sweden.

Vokonis’ style mixes together progressive metal with stoner and doom metal, resulting in a colourful and enjoyable collection of tracks. While Mastodon is the obvious reference point, it’s also an inadequate one for Odyssey, as there’s a lot more at play here than simply Mastodon worship. I can also hear elements of bands as diverse as Sleep, Slomatics, Elder, Perihelion Ship, Rush, Khemmis, Alice in Chains, Witchkiss, Monolord, and Black Crown Initiate, to name but a few. Continue reading “Vokonis – Odyssey (Review)”

Pallbearer – Forgotten Days (Review)

This is the fourth album from US doom metallers Pallbearer.

This is old-school doom metal mixed with a progressive delivery. Black Sabbath and Candlemass are obvious rough starting points for the band’s sound, but you can also hear the influence of 70s progressive rock on the songs too. Continue reading “Pallbearer – Forgotten Days (Review)”

Flesh of the Stars – Mercy (Review)

This is the fourth album from US doom band Flesh of the Stars.

On both Hide and Anhilla Flesh of the Stars impressed me with their emotive brand of doom metal, and their progression over time. Now the band are back with this latest album that features 48 minutes of new material. Continue reading “Flesh of the Stars – Mercy (Review)”

King Goat – Debt of Aeons (Review)

This is the second album from King Goat, a progressive doom metal band from the UK.

I’ve been extremely excited for this one. This is a band that takes everything I love about traditional doom metal and combines it with a progressive metal element that sees the songs soar above almost all of their so-called peers with ease. Continue reading “King Goat – Debt of Aeons (Review)”

Bloodmoon – Supervoid Trinity (Review)

Bloodmoon are a progressive doom/sludge band from the US and this is their second album.

Here we have 47 minutes of progressive doom metal, played well, and delivered with misanthropic glee and darkness in abundance. Continue reading “Bloodmoon – Supervoid Trinity (Review)”