Elder Devil are a grindcore band from the US and this is their debut EP.
Featuring a member of
Keeper, (who play slow, crushingly heavy doom) – at just under 14 minutes in length, this entire release is shorter than some Keeper songs.
The, (very capable), singer is also in Cabin Fire, so this is a duo that isn’t without experience, and it shows.
Cabin Fire, Elder Devil, Full of Hell, grind, Grindcore, Hardcore, Keeper, Metal, Nails, Punk, Sludge, Unyielding Love, Vermin Womb
Apes are a dark hardcore band from Canada and this is their debut album.
I love it when you find a band that don’t limit themselves to what they play, exploring multiple genres and bringing everything together with a love of extremity and savage delivery.
Apes, Black metal, Dark Hardcore, Doom, Full of Hell, grind, Grindcore, Hardcore, Ion Dissonance, Metal, Nails, Sludge, Sunlight's Bane, Thieves, Trap Them, Unyielding Love
Thieves are a US hardcore band and this is their debut album.
Thieves play dark, violent hardcore. I can’t help but like this kind of relentlessly bleak and abrasive music. Over the course
Attan, Black metal, Converge, Cowards, Dark Circles, Dark Hardcore, Grieved, grind, Grindcore, Hardcore, Nails, Thieves, Trap Them, Violent Hardcore
This is the debut album from Sunlight’s Bane, a blackened sludge/grindcore band from the US.
This is nasty, raw and nihilistic music that wants nothing more than to terrify, scar and demoralise the listener. With a mix of
Nails, Anaal Nathrakh, Hooded Menace, Aborted, Trap Them, Extreme Noise Terror, Primitive Man, Zao, and many others in their sound, Sunlight’s Bane have concocted an identity that’s very much their own and quite a hard one to accurately classify, if you care about such things. Continue reading
Aborted, Anaal Nathrakh, Black metal, Blackened Sludge, Crust, Death Metal, Doom, Extreme Noise Terror, grind, Grindcore, Hooded Menace, Metal, Nails, Primitive Man, Sludge, Sludge metal, Sunlight's Bane, Trap Them, Zao
Henry Kane is a one-man deathgrind/death metal/crust project from Sweden.
This is quite hard to classify, but essentially Den Förstörda Människans Rike is a festering, ugly mix of Swedish death metal, hardcore/crust and Swedish grind.
This is deathgrind of the highest, yet filthiest variety. Think of a mutant mix of Dismember,
Nails, Anaal Nathrakh, Nasum and Martyrdöd. Continue reading
Anaal Nathrakh, Crust, Death Metal, deathgrind, Dismember, grind, Grindcore, Hardcore, Henry Kane, Martyrdöd, Metal, Nails, Nasum, Swedish Death Metal
Trap Them are a hardcore band from the US. This is their fifth album.
Trap Them play dark hardcore, full of raw nastiness and rabid bite.
The singer has the perfect voice for this kind of thing; completely feral and utterly aggressive. His high-pitched screaming shouts lash out from the music like dangerous bladed weapons, eager to draw blood. With compelling rhythms and engaging, memorable vocal patterns, his voice is the driving factor and focal point for the dark music.
This is the debut EP from UK grindcore band Unyielding Love.
Unyielding Love play ultra-extreme dark, blackened grindcore, and they sound pissed. This is noisy and littered with feedback and chaotic delivery.
Mix Discordance Axis,
Nails, Full of Hell, thekevorkiansolution and Labrat together and you’ll be in the right filthy area. Continue reading
Junk Fuck Militia are a Polish grindcore band. This is their latest album.
Junk Fuck Militia play grindcore with lashings of hardcore, powerviolence and sludge. This means that the songs play with different speeds, moods and textures according to the desires of the band.
Even though the average song length is about a minute or so, due to the aforementioned stylistic influences you never quite know
Agoraphobic Nosebleed, Discordance Axis, Grief, grind, Grindcore, Hardcore, Junk Fuck Militia, Metal, Minor Threat, Nails, Powerviolence, Punk, Sludge
This is the third album from this US grindcore band.
Nails are an intense band. On You Will Never Be One of Us they take a grindcore base and add elements of hardcore and sludge metal into the mix, flawlessly creating a 22 minute album that wipes the floor with most of the competition.
The band’s dense, thick sound is almost physical, and played