Onward to Glory presents us with 30 minutes of roaring old-school death metal, brought to us by the vocalist and drummer of Psycroptic. This is no tech metal extravaganza though; Domination Campaign’s music is straightforward and burly, rolling in on brutal tank treads and destroying its targets with a combination of blunt heaviness and precision marksmanship. Continue reading “Domination Campaign – Onward to Glory (Review)”
A band containing members of Earth Crisis and Sect couldn’t fail to get my attention. Across 22 minutes, Tooth and Claw provide us with a raging version of old-school metallic hardcore that also occasionally flexes some death metal muscles with some of the guitars. Imagine a mix of Earth Crisis, Merauder, and Obituary, and you’ll be on the right lines. Continue reading “Tooth and Claw – Dream of Ascension (Review)”
This is caustic, aggressive Hardcore which is heavy and full of contempt. Their sound is thick and syrupy and the guitars hit like hammers.
Fusing Crust Punk and Metallic Hardcore with even a hint of a Blackened influence here and there, these are three songs you wouldn’t want to mess with.
Veins of Black starts with a kick-ass Blackened Doom riff that slowly builds and builds until the vocals start and the chugging begins. The singer shows himself to have a charismatic snarl that fits well with the dark nature of the music. The riffs are catchy and there’s a good amount of 90’s Hardcore vibe lurking behind the contemporary sheen.
Human Ruin has an almost Dillinger Escape Plan feel to it before relaxing and sounding more like Gurd with just drums and bass with less angry vocals taking the stage. The guitars and shouting resumes once more though and the feeling of 90’s Metallic Hardcore asserts itself again.
The final song Sick of Sun continues in the same vein, with Sludge-tinged guitars laying a foundation of heavy riffs and catchy vocals. It’s the longest of the songs and twists and winds to its apotheosis.
Think elements of bands like Vision of Disorder, Earth Crisis, Sick Of It All, Sworn Enemy, etc. all mixed together; then give the resulting concoction a Crusty makeover and add a guitar tone that Crowbar would be proud of. Some Blackened Doom influences round off the package and Funerals have a heady list of weapons in their arsenal to utilise.
This is a decent EP that’s made me quite nostalgic for my younger days, whilst at the same time enjoying the fact that there are a raft of talented new Hardcore bands around these days like Funerals who are taking the template and running with it.
Support this up and coming band and check out their EP.
The band rage and tear their way through these 9 tracks, concentrating on keeping things heavy and groovy while providing a memorable basis for a good old fashioned headbang.
I hear snippets of Earth Crisis, Hatebreed and even a bit of Sick Of It All in places, so these should serve as starting reference points.
This release boasts a state-of-the-art sound that accentuates every piece of aggression that the band throw out.
The singer is angry and there are no niceties here that might otherwise see the band straying into the dreaded commercial pastures. Instead, we get modern Metal played with passion and fire with elements of both Thrash/Melodic Death Metal and modern Hardcore vying for top position, all the time watched over by the Metal Gods who like things just plain heavy.
The majority of the songs hover around the three minute mark; long enough to make their mark but not long enough to lose interest in what they’re doing.
I Will Tear This World Apart successfully combine the trappings of Metalcore with the song know-how of Thrash and the aggression of Hardcore.
An enjoyable romp through the mosh pit.
These veterans are an institution in their own right, and I’ve been listening to them since first getting Gomorrah’s Season Ends in 1996. Which makes me feel very old, but let’s ignore that…
This is another prime slice of Grade A Metallic Hardcore guaranteed to get the pit moving and limbs thrashing.
The songs are short and to the point. There’s no need for messing around when you’re this focused and have your vision nailed down. They manage to combine a few different styles from their quite varied back catalogue.
Earth Crisis have always played the slower, almost sludge-infected riffs really well, and I’m pleased that there are still a good smattering of these on most songs alongside the more chuggy riffs.
Salvation Of Innocents is similar to their style on the brutal Breed The Killers album only with a lot more vocal variety; we get the standard bellowing, rawer shouting, semi-cleans that are still rough-around the edges, gang vocals, and most things in between. Although we never really get the ultra-melodic clean vocals that peppered their excellent Slither album, I’d say that this is roughly a cross between that release and Breed The Killers.
After the first two tracks of heaviness and aggression Shiver brings in melodic vocals with an almost orchestral chorus. It’s a welcome reminder that this is a band that have in fact a wide arsenal of weapons in their armoury with which to assault the senses with. This is ably shown by the next track The Morbid Glare which is an up-tempo rager and faster than Earth Crisis normally play.
I’m very pleased to say that I am not disappointed by this latest album and wholeheartedly recommend it to every and all fans of heaviness.