The Ritual Aura – Heresiarch (Review)

The Ritual Aura - HeresiarchThis is the fourth album from The Ritual Aura, a death metal band from Australia.

I enjoyed 2015’s Laniakea and 2016’s colossal Tæther, but I never realised until recently that they also had a 2019 album, (Velothi), that I’ve never heard. Well, Heresiarch offers a great opportunity to see what The Ritual Aura are up to in 2023. With a new lineup since I last caught up with them, (including a member of Tómarúm), and 56 minutes of new material, what does Heresiarch assail us with? Continue reading “The Ritual Aura – Heresiarch (Review)”

Vastum – Inward to Gethsemane (Review)

Vastum - Inward to GethsemaneThis is the fifth album from Vastum, a death metal band from the US.

It’s a rather shocking ten years since I last heard Vastum, (2013’s Patricidal Lust), so getting reacquainted with the band’s music is long overdue. I’m glad I did, as Inward to Gethsemane is a monster. Continue reading “Vastum – Inward to Gethsemane (Review)”

Owdwyr – Receptor (Review)

Owdwyr - ReceptorThis is the debut album from US extreme metal band Owdwyr.

Receptor is an interesting beast. Blurring the boundaries between technical death metal, grindcore, and progressive metal, Owdwyr’s music is a riot of violence and exploratory brutality. It’s a 44-minute sophisticated wrecking ball. Continue reading “Owdwyr – Receptor (Review)”

Unblessed Divine – Portal to Darkness (Review)

Unblessed Divine - Portal to DarknessThis is the debut album from international death metal band Unblessed Divine.

Featuring ex-members of Malevolent Creation, Sinister, and Decapitated, Portal to Darkness contains 45 minutes of expressive and atmospheric death metal. Continue reading “Unblessed Divine – Portal to Darkness (Review)”

Blindfolded and Led to the Woods – Rejecting Obliteration (Review)

Blindfolded and Led to the Woods - Rejecting ObliterationThis is the fourth album from Blindfolded and Led to the Woods, a death metal band from New Zealand.

Blindfolded and Led to the Woods play a modern form of death metal that combines progressive, technical, and avant-garde elements together into a savagely impactful package. Rejecting Obliteration is 45 minutes of surprisingly rich extremity. Continue reading “Blindfolded and Led to the Woods – Rejecting Obliteration (Review)”

Entheos – Time Will Take Us All (Review)

Entheos - Time Will Take Us AllEntheos are a progressive death metal band from the US and this is their third album.

Entheos play a technical and progressive form of modern death metal. Time Will Take Us All offers 40 minutes of complexity and intricate delivery. This is then melded with the melodic strands of modern death metal as well as the Continue reading “Entheos – Time Will Take Us All (Review)”

Man Must Die – The Pain Behind It All (Review)

Man Must Die - The Pain Behind It AllThis is the fifth album from Scottish death metal band Man Must Die.

Man Must Die play technical death metal and The Pain Behind It All is a 41-minute assault of vicious riffs, sharp technical blows, and blunt force extremity. If you’re a fan of bands such as Decapitated, Dyscarnate, Cattle Decapitation, Beneath the Massacre, and Misery Index, then there’s much here to enjoy for you. Although, as we’ll see, there’s more than just death metal here. Continue reading “Man Must Die – The Pain Behind It All (Review)”

Hormagaunt – In the Flesh (Review)

Hormagaunt - In the FleshThis is the debut album from Australian death metallers Hormagaunt.

Although In the Flesh quietly oozed into life at the end of 2022 I couldn’t resist its mouldy charms, so here we are. Get ready for a 31-minute trip into the foulest and nastiest death metal swamps. Continue reading “Hormagaunt – In the Flesh (Review)”

Ashen – Ritual of Ash (Review)

Ashen - Ritual of AshThis is the debut album from Australian death metal band Ashen.

Ritual of Ash is a 38-minute monster of a death metal album. Ashen spend their time on this record carving their way through the killing arenas of the style to appear triumphant and covered in blood by the end of it. The album snarls with Swedish death metal groove and roars with USDM intensity. A few other death metal styles can be heard here and there too, making for a collection of tracks that are easy to replay and enjoy. Continue reading “Ashen – Ritual of Ash (Review)”