WVRM’s latest EP Can You Hear the Wind Howl may only last a very brief nine minutes, but it’s 9 minutes of savage darkness and cutting, lethal ferocity. Hyper-aggressive and full of the kind of pitch-black extremity we can’t get enough of here at Wonderbox Metal, WVRM have seriously impressed with this very enjoyable collection of malignant, brutally nasty tunes.
Yes, this was very definitely a band to find out more about… Continue reading “Interview with WVRM”
Drawn into Descent are an atmospheric black metal band from Belgium and this is their debut album.
Full of sombre sounds and dark moods, this is 46 minutes of obscure, atmospheric music. Continue reading “Drawn into Descent – Drawn into Descent (Review)”
This is the debut EP from Belgian black metallers Antzaat.
It’s so hard to dislike something like this.
Here we have 22 minutes of cold, Continue reading “Antzaat – The Black Hand of the Father (Review)”
Siberian Hell Sounds and Convulsing are both non-standard black metal groups from Australia and they have teamed up on this split release.
I enjoyed Siberian Hell Sounds’ last EP Svengali, so it’s great to hear some new material from them. Svengali contained five tracks and lasted under 18 minutes in total, so when I saw that their side of this split contained just one 20-minute song, I knew I had to make listening to it a priority. Continue reading “Siberian Hell Sounds/Convulsing – Split (Review)”
This is the latest EP from Faustian Dripfeed, a Norwegian melodic death metal band.
Having enjoyed the band’s debut EP Between This and Death, it’s great to catch up with Faustian Dripfeed once more for this new EP. Continue reading “Faustian Dripfeed – Faustian Escapades (Review)”
The Stone are a Serbian black metal band and this is their eighth album.
After an enjoyable 2014 release in Nekroza, The Stone are now back with a further 49 minutes of aggressive black metal. The Stone prefer their black metal dark and sinister, with an atmospheric component that works really well; this album is a great addition to their discography. Continue reading “The Stone – Teatar Apsurda (Review)”
This is a split between two Swedish one man bands; the doom metal of Blissful Stream and the dark rock of Lightsabres.
Blissful Stream are up first, with the first new material from the project since 2016’s Ascending Demons. Continue reading “Blissful Stream/Lightsabres – Devil’s Night to All Souls – Split (Review)”
Minors are a hardcore/sludge band from Canada. This is their debut album.
This is 19 minutes of ugly feedback and remorseless intensity. Containing elements of hardcore, punk, metal, and powerviolence, all wrapped up in a harsh sludge delivery, Atrophy is a withering, caustic listen. The keyword here is violence. Continue reading “Minors – Atrophy (Review)”
This is the debut album Greek post-hardcore/sludge band Chronoboros.
2015’s Dialing up the Clutter was an enjoyable, if brief, introduction to Chronoboros’ jagged, angular sound, and now they’re back with their first full length; 34 minutes of harsh noise and deliberate contrariness. Continue reading “Chronoboros – No Dirt or Silver Will Have Us Sated (Review)”
This is the third album from Sonic Prophecy, a power metal band from the US.
I really enjoyed 2015’s Apocalyptic Promenade, so now that Savage Gods is ready to be unleashed, I’m very happy to reacquaint myself with their work. Continue reading “Sonic Prophecy – Savage Gods (Review)”
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