Both 2014’s Of Woe and Wounds and 2018’s From Gold to Ash were very enjoyable records, so I knew I wanted in on Until the Darkness Goes‘ action. With a duration of 37 minutes it’s Apostle of Solitude’s shortest album yet, but what it lacks in quantity it makes up for in quality. Continue reading “Apostle of Solitude – Until the Darkness Goes (Review)”
Apostle of Solitude are one of the world’s premier doom metal bands. Don’t just take my word for it, of course; check out their latest stunner of an album From Gold to Ash. This is a well-rounded and multifaceted album, one which just seems to get better and better the more you get to know it. I’m listening to it again as I type these words, and it really is the band’s best work to date.
The band’s founder Chuck Brown was nice enough to share a few words about their latest release… Continue reading “Interview with Apostle of Solitude”
Oh my. There has been some very good stuff released this month. Let’s have a look… Continue reading “Monthly Overview – the Best of February 2018”
So, the mighty Apostle of Solitude return! It’s been a long time since 2014’s Of Woe and Wounds, which I rated on my 2014 end of year best of list. Continue reading “Apostle of Solitude – From Gold to Ash (Review)”
This is gritty, Metallic Rock ‘N’ Roll in the vein of Orange Goblin that will find a nice home in the hands of fans of Corrosion of Conformity, Down, Lord Dying, Crowbar, High on Fire, Apostle of Solitude, etc.
XII Boar play feel-good music with an earthy, raw quality. The singer is full of charisma and attitude, as is the band as a whole really.
The songs are catchy and memorable slabs of rocking distortion and hot guitar licks.
It’s an easily identifiable style but the band play with such passion and conviction it’s easy to get swept up in their enthusiasm. The NOLA influence is apparent in their riffs but this has been filtered through the UK and Orange Goblin’s legacy is definitely felt in XII Boar’s style.
Pitworthy is an enjoyable album with a good sound and belligerent swagger. Have a listen.
With a quality album cover I was looking forward to hearing this band and they didn’t disappoint.
This is Doom Metal with an eye on the past and ambitions on the future. Of Woe and Wounds may have an Old-School core but it has a thoroughly up-to-date production that’s warm and organic whilst simultaneously being punchy and in-your-face. It may be Traditional Doom Metal but the recording leaves no-one in any doubt; Apostle of Solitude are a band that are of the here and now and they mean business.
The sound is crisp and crunchy, with the guitars sounding full of vitality and bone-crushing heaviness. Gargantuan riffs rise and fall with the drums sounding immense and the bass being a much more audible rumble than the norm.
Of Woe and Wounds combines the classic artefacts of Traditional Doom with elements of the more modern exemplars of the style such as Down and Orange Goblin to result in a truly wonderful album that combines the best of old and new. I even hear strains of Alice in Chains on occasion and it sounds just great, (Lamentations of a Broken Man, for instance).
The singer has a powerful voice that rings out strong and clear. He effortlessly becomes the focal centrepiece whenever he’s around.
Each song is a first-rate example of Doom Metal and of the depth that it can have. The tracks have a longevity about them that most bands would kill for. Carefully constructed Doomscapes and crawling riffs dominate the proceedings and I couldn’t be happier listening to this.
Apostle of Solitude have produced something special here. Make sure you get in on the action.