Beldam are a blackened doom/sludge band form the US and this is their second album.
Pasung offers up 48 minutes of gritty, American sludge metal, replete with plenty of doom and an ugly blackened patina. Continue reading “Beldam – Pasung (Review)”
Beldam are a blackened doom/sludge band form the US and this is their second album.
Pasung offers up 48 minutes of gritty, American sludge metal, replete with plenty of doom and an ugly blackened patina. Continue reading “Beldam – Pasung (Review)”
Have you checked out Harm’s Way’s latest album Posthuman yet? Well, if you’re a fan of modern heavy music with some good quirks and plenty of character, you should. I’m listening to it now before I head to the gym, and it’s making me feel sufficiently worked up. In a good way, of course.
So, let’s find out a bit more about what the band and their new album… Continue reading “Interview with Harm’s Way”
Esoctrilihum is a French one man black/death metal band and this is his second album.
71 minutes of harrowing, terrify blackened evil? Sign me up! The man behind Esoctrilihum has created a monster of an album. Continue reading “Esoctrilihum – Pandaemorthium (Forbidden Formulas to Awaken the Blind Sovereigns of Nothingness) (Review)”
Monolithe’s latest album Nebula Septem is quite something. With a firm concept and a collection of songs that’s arguably the band’s most diverse and enjoyable yet, it seems that here is a band that can do no wrong and are simply getting better and better as time goes by.
Benoît Blin, who plays guitar in the band, was nice enough to go into detail about the album and what makes it what it is… Continue reading “Interview with Monolithe”
Mammoth Weed Wizard Bastard and Slomatics are both doom metal bands from the UK. They have teamed up for this very tasty split release.
Mammoth Weed Wizard Bastard open the split, with 23 minutes of their enchanting doom. Continue reading “Mammoth Weed Wizard Bastard/Slomatics – Totems – Split (Review)”
This is the debut EP from Canadian doom band Empress.
Although classed as an EP, there’s still 29 minutes of material here to sink your teeth into.
I’ll say it straight away – Reminiscence is a massively enjoyable release. Continue reading “Empress – Reminiscence (Review)”
Dominant are a Norwegian technical death metal band and this is their debut EP.
This is a 20-minute EP showcasing Dominant’s own brand of death metal. What does it sound like? Well, it’s clinical, precise, technical, and devastatingly brutal. Continue reading “Dominant – The Summoning (Review)”
Therion are a Swedish symphonic/operatic metal band and this is their sixteenth album.
Holy crap. This is a three-CD album, with a total duration of over three hours. Dear me. Where do you even begin with a release like this? And in case you’re wondering; no, I have not listened to this in its entirety in just one sitting! Continue reading “Therion – Beloved Antichrist (Review)”
Letters from the Colony are a progressive metal band from Sweden and this is their debut album.
This is complex music, fusing modern progressive and technical metal influences with djent elements to create experimental extreme metal. Vignette is notable for many things, one of which is that it largely takes from the strengths of these styles and leaves the weaknesses floundering in the dust, which is not an easy feat to achieve. Continue reading “Letters from the Colony – Vignette (Review)”
This is the fourth album from Funeral Winds, a black metal band from the Netherlands.
This is black metal played in the classic style; hateful, raging, and full of the fire and fury of the second wave. Continue reading “Funeral Winds – Sinister Creed (Review)”