The Black Dahlia Murder are a melodic death metal band from the US and this is their ninth album.
So, one of the world’s premier death metal bands returns, following up 2017’s Nightbringers with 36 minutes of new material. Continue reading “The Black Dahlia Murder – Verminous (Review)”
Shards of Humanity are a US death metal band and this is their second album.
2014’s Fractured Frequencies was an enjoyable Death-inspired death/thrash album, played with precision and skill. Continue reading “Shards of Humanity – Cold Logic (Review)”
This is the debut album from Cemetery Filth, a death metal band from the US.
Inspired by old-school USDM of the Floridian kind, augmented with some European influences, this is 39 minutes of highly engaging death metal. Continue reading “Cemetery Filth – Dominion (Review)”
This is the debut album from US death metallers Cordyceps.
Cordyceps play brutal death metal, filled with vicious slams and streaks of technicality. Across 32 minutes the band brutalise and punish the listener, with crushing chugs, face-melting blasts, and guttural vocals. Continue reading “Cordyceps – Betrayal (Review)”
Symbolik are a death metal band from the US and this is their debut album.
Symbolik’s brand of death metal is a modern mix of the technical and the melodic. Across 39 minutes of material the band take the listener down pathways of bright melody and sharp aggression. Continue reading “Symbolik – Emergence (Review)”
This is the debut album from Canadian death metallers Akurion.
Well, what a wealth of talent and experience we have in this band. The core of Akurion is comprised of current and ex-members of Cattle Decapitation, Coma Cluster Void, Cryptopsy, and Neuraxis, (and others), and rounded out with a variety of Continue reading “Akurion – Come Forth to Me (Review)”
This is the ninth album from French death metallers Benighted.
Both 2017’s Necrobreed and 2018’s Dogs Always Bite Harder than Their Master were enjoyably brutal, so Obscene Repressed promises much, and delivers too. Continue reading “Benighted – Obscene Repressed (Review)”
Depleted is a one-man death/doom band from the US and this is his latest demo.
We first met Depleted in 2018 with Conjurations of Void, and it impressed with its virulent underground nastiness. On this new release we are (mis)treated to 31 minutes of horror and despair. It may not be pleasant, but it is damn good. Continue reading “Depleted – Wretched Decay (Review)”
This is the second album by Shodan, a death metal band from Poland.
2016’s Protocol of Dying was a very memorable and enjoyable album, one that stood out for its quality and variety. Four years later the band are now back with Death, Rule over Us, containing 41 minutes of music that improves on their already capable style. Continue reading “Shodan – Death, Rule over Us (Review)”
This is the third album from WVRM, a US grindcore band.
Since discovering WVRM in 2017 with Can You Hear the Wind Howl, I’ve real enjoyed their work. Which is why I knew I had to check out Colony Collapse. Spread across 27 minutes of violent power channelled into 14 furious grindcore songs, this album is a force to be reckoned with. Continue reading “WVRM – Colony Collapse (Review)”
Wonderbox Metal 