The Ritual Aura – Tæther (Review)

The Ritual AuraThis is The Ritual Aura’s second album. They are an Australian technical death metal band.

Well, hold on to your hat, because you won’t be expecting this.

The Ritual Aura’s 2015 debut album Laniakea was a favourite of mine. At only 26 minutes in length it was a supremely enjoyable blast of cutting-edge death metal. Tæther is, to say the least, a lot more ambitious, lasting over 70 minutes in length. In many ways this seems like a different band altogether. Continue reading “The Ritual Aura – Tæther (Review)”

Morta Skuld – Wounds Deeper than Time (Review)

Morta SkuldMorta Skuld are a US death metal band and this is their fifth album.

Wounds Deeper than Time is this veteran band’s first album in 20 years. No pressure, eh?

Well, lovers of old-school death metal will surely get their fix here. Continue reading “Morta Skuld – Wounds Deeper than Time (Review)”

Vile Retribution – Global Chaos (Review)

Vile RetributionThis is the debut album from Danish blackened death metallers Vile Retribution.

With a strong melodic streak, Global Chaos mixes death and black metal together across 41 minutes. Continue reading “Vile Retribution – Global Chaos (Review)”

I Am – Life Through Torment (Review)

I AmThis is the debut album from US deathcore band I Am.

Life Through Torment is 28 minutes of aural thuggery that blends groovy heaviness with savage extremity.

Mixing 90s styled metalcore with elements of modern deathcore, this is Continue reading “I Am – Life Through Torment (Review)”

Question – Gnosis Primordial (Review)

QuestionThis is the latest EP by Mexican death metal band Question.

I was suitably impressed with Question’s 2014 debut album Doomed Passages, so it’s good to have some new material from them now.

Doomed Passages was an album that had its own Continue reading “Question – Gnosis Primordial (Review)”

Vipassi – Śūnyatā (Review)

VipassiThis is the debut album from Australian instrumental metal band Vipassi.

Śūnyatā is 30 minutes of instrumental music that combines elements of progressive, technical and death metal together to form an engaging and thoughtful listening experience.

Atheist, Cynic and Death are the Continue reading “Vipassi – Śūnyatā (Review)”

Sunlight’s Bane – The Blackest Volume: Like All the Earth Was Buried (Review)

Sunlight's BaneThis is the debut album from Sunlight’s Bane, a blackened sludge/grindcore band from the US.

This is nasty, raw and nihilistic music that wants nothing more than to terrify, scar and demoralise the listener. With a mix of Nails, Anaal Nathrakh, Hooded Menace, Aborted, Trap Them, Extreme Noise Terror, Primitive Man, Zao, and many others in their sound, Sunlight’s Bane have concocted an identity that’s very much their own and quite a hard one to accurately classify, if you care about such things. Continue reading “Sunlight’s Bane – The Blackest Volume: Like All the Earth Was Buried (Review)”

Grave Plague – The Infected Crypts (Review)

Grave PlagueGrave Plague are a US death metal band and this is their debut EP/demo.

With cover artwork and a band name that drew me in like a moth to a flame, I knew I had to listen to this release as soon as I could.

This short release features two tracks of ugly, primitive old-school death metal. No, I have not been disappointed. Continue reading “Grave Plague – The Infected Crypts (Review)”

Altar of Betelgeuze – Among the Ruins (Review)

Altar of BetelgeuzeThis is the second album from Finnish doom metallers Altar of Betelgeuze.

Full of fuzzy stoner riffs, this is stoner doom metal that has bitten off a good chunk of death/doom and regurgitates it across these 49 minutes.

Like a more underground version of Continue reading “Altar of Betelgeuze – Among the Ruins (Review)”

Killing Addiction – Shores of Oblivion (Review)

Killing AddictionThis is the latest EP from Killing Addiction, a death metal band from the US.

Having enjoyed their short-yet-brutal 2014 EP When Death Becomes an Art, it’s good to hear some new material from these veterans.

This EP is 15 minutes of classic, 90s-styled Continue reading “Killing Addiction – Shores of Oblivion (Review)”