Kill Division boast current and ex-members of bands such as Aborted, Bent Sea, Gruesome, Inhuman Condition, Malevolent Creation, Megadeth, Soilwork, and Venom Inc. in their ranks, so you know a lot of experience has gone into this album. Continue reading “Kill Division – Peace Through Tyranny (Review)”
We start with the bloody Exhumed, a band that are quite legendary in gore metal circles. Continue reading “Exhumed/Gruesome – Twisted Horror – Split (Review)”
Led by a member of Exhumed, and boasting an already enviable discography of Death-inspired delights, (Savage Land, Dimensions of Horror), Gruesome are back, continuing their remarkably detailed and authentic homage to the mighty Death. On Twisted Prayers they’re up to the Spiritual Healing period. Continue reading “Gruesome – Twisted Prayers (Review)”
Consisting of members of bands such as Exhumed and Repulsion, (presumably where the name Expulsion came from?), as well as Gruesome, Intronaut, Phobia, and Lightning Swords of Death, it’s safe to say that there’s a wealth of experience that’s gone into this release.
Featuring the singer of Abyssus, (one of my favourites), I was keen to see what Cryptic Realms had to offer.
Here we have classic, old-school death metal, played with a purity of intent and grim authenticity. Taking cues from Continue reading “Cryptic Realms – Enraptured by Horror (Review)”
Gruesome are a supergroup of sorts, made up of members who have a large amount of extreme metal experience and count many different bands as their current and ex-projects, including Exhumed, Possessed and Malevolent Creation.
After the massively enjoyable slab of Death-worship that was Savage Land, Gruesome return with Continue reading “Gruesome – Dimensions of Horror (Review)”
This is a supergroup of sorts, featuring members of Exhumed, Possessed, Malevolent Creation and Derketa. Gruesome exist purely to pay homage to Old-School Floridian Death Metal, with specific reference to the early work of Death.
It’s clear from the very start that they have everything in place to achieve this.
The sound is an authentic Morrisound one, only polished up a bit and without actually being recorded there.
The music is straight out of the Old-School Death handbook, complete with galloping drums, sharp riffs and leads/solos aplenty.
Savage Land excels in the songs though; without good songs this album would fall flat as being rather pointless. Thankfully though, listening to all of those Death Metal albums from an early age has done wonders for the band and this is a really enjoyable album that almost seems to reanimate the corpse of Death, if only for a little while.
In fact the spirit of Death is felt strongly throughout these 36 minutes. It seems to be lurking wherever you look, the riffs, the drums, the solos, the vocals, the choruses, everything really; deeply infused into the songs.
In another band this might be seen as a bad thing, but in Gruesome it’s so honest, so pure, so well-realised that Savage Land just comes off as a triumph.
Turn the volume up and give this a listen. If you’ve ever been a fan of early Death then I defy you not to enjoy this.