Eternal Storm are a melodic death metal band from Spain and this is their debut album.
The band’s first release in 2013 – From the Ashes – showed a lot of promise, and they then followed this up in 2014 with a split that contributed a single track, showing even more promise. And then…nothing. Fast forward to 2019, however, and we now get an imposing 59 minutes of new material. The band have been busy, it seems. Continue reading “Eternal Storm – Come the Tide (Review)”
Pathology are a US death metal band and this is their tenth album.
Pathology have had a new lineup since 2017’s self titled album, including a guitarist from Condemned and vocalist from Inherit Disease. The songs are short and vicious, and the entire album is done in 33 minutes of grooving heaviness and nasty brutality. Continue reading “Pathology – Reborn to Kill (Review)”
This four way split is between Serpents Athirst and Genocide Shrines from Sri Lanka, and Trepanation and Heresiarch from New Zealand. Each offer up a single track. Continue reading “Serpents Athirst/Genocide Shrines/Trepanation/Heresiarch – Scorn Coalescence – Split (Review)”
Kludde are a Belgian black metal band and this is their second album.
Inspired by second wave black metal, this is old-school, raw, and menacing. A death metal influence can be heard in the music, giving it more muscle and thickness than some black metal out there. Pinches of crust’s energetic urgency can be detected too here and there, propelling a particular passage along at a punishing rate. There’s even a doom/sludge influence; this mainly Continue reading “Kludde – In de Kwelm (Review)”
This is the debut album from Mourner, a death/doom metal band from Russia.
In a surprisingly textured mix of gloomy atmosphere and deathly heaviness, Mourner’s first release is an enjoyable take on the death/doom style. It seems primarily influenced by the old-school triumvirate of Paradise Lost, Anathema, and My Dying Bride, and fans of these bands and the corresponding era should find much to enjoy here. Continue reading “Mourner – Apogee of Nihility (Review)”
It’s once more time to catch up with some of the best metal releases of the past month. Check out the albums below and let me know which one your favourite is. Continue reading “Monthly Overview – the Best of July 2019”
Cerebral Rot are a death metal band from the US and this is their debut album.
Odious Descent into Decay contains 45 minutes of disgusting old-school death metal. Reeking of some long-forgotten swampy Hellhole that last saw the touch of light in the early 90s, this album sounds like it has been festering and rotting in the darkness for decades. Continue reading “Cerebral Rot – Odious Descent into Decay (Review)”
Victims of Contagion are a death metal band from the US and this is their debut album.
Victims of Contagion play death metal that mixes brutality with technicality, resulting in songs that aren’t overly technical just for the sake of it. Instead, the technicality is used to forge tracks that place the song at the heart of what the band do. Continue reading “Victims of Contagion – Lamentations of the Flesh Bound (Review)”
This is the third album from Swedish death metallers Humanity’s Last Breath.
Well, Abyssal is not what I expected. Although I’d heard of Humanity’s Last Breath prior to listening to this album, for some reason I had it in my head that they were a metalcore band. No idea why. I’m also very, very wrong. What we have here is some individually-played death metal; it seems that Humanity’s Last Breath have carved out their own niche in the crowded death metal landscape, and then filled it with mechanised horror. Continue reading “Humanity’s Last Breath – Abyssal (Review)”
This is the seventh album from Carnifex, a US death metal band.
2016’s Slow Death was a real treat for fans of modern death metal, blending catchy songwriting with blackened melody and orchestration to produce a really enjoyable collection of songs. Although it contained elements of deathcore, as does this new one, Carnifex aren’t really a deathcore band these days – they’re far too melodic and have too much else going on, much to their credit. Continue reading “Carnifex – World War X (Review)”
Wonderbox Metal 