This is the eleventh album from veteran US death metallers Immolation.
Immolation are one of those timeless, classic death metal acts with a sound all of their own; nobody else sounds quite like them, although many have taken influence from their otherworldly brutality. Continue reading “Immolation – Acts of God (Review)”
This is the second album from Abyssus, a Greek death metal band.
I’ve been an avid follower of Abyssus’ work for many years, (see here, here, here, here, and here), and their output never fails to put a smile on my face. Which is why it’s great to have a new album from the band. Seven tracks, 33 minutes; Abyssus bring their old-school death metal sound to the masses once more, and it’s damn good fun. Continue reading “Abyssus – Death Revival (Review)”
This is the debut album from Necrophagous, a death metal band from Sweden.
Featuring ex-members of Visceral Bleeding and Entrails, In Chaos Ascend contains 45 minutes of groove-laden, blast beat-driven timeless death metal.
The promo blurb compares Necrophagous’ sound to a combination of the above two bands, along with Continue reading “Necrophagous – In Chaos Ascend (Review)”
Genocide Pact are a death metal band from the US and this is their third album.
I really liked Genocide Pact’s filthy 2018 release Order of Torment, which was a very satisfying album. This new self-titled is even filthier, even more crushingly heavy, and even uglier than its predecessor. Continue reading “Genocide Pact – Genocide Pact (Review)”
Headshrinker are a death metal band from the US and this is their debut album.
Headshrinker play old-school death metal that incorporates in varying doses, crushing doom, dark black metal, and intricate technicality. Theirs is an atypical approach to death metal, yet one that still benefits from the raw visceral nature of the style. Imagine a cross between Tomb Mold and Ulthar on one hand, and Pyrrhon and Imperial Triumphant on the other, and you’ll be on the right lines for a decent idea of what this album’s 38 minutes hold. Continue reading “Headshrinker – Callous Indifference (Review)”
This is the third album from Burial in the Sky, a death metal band from the US.
The Consumed Self contains 58 minutes of modern technical/progressive death metal. The promo blurb says that it’s recommended for fans of Rivers of Nihil, Fallujah, Black Crown Initiate, Virvum, and Alustrium, which should let you know the sort of waters that Burial in the Sky wade in. Continue reading “Burial in the Sky – The Consumed Self (Review)”
This is the fourth album from US death metallers Cognitive.
I’ve enjoyed following Cognitive’s career, from 2016’s Deformity, through 2018’s Matricide, to their newest album Malevolent Thoughts of a Hastened Extinction, which brings 41 minutes of roaring modern technical death metal to our weary ears. Does it wake us from our lethargy and fire us up with the spirit of death metal’s aggressive energy? Continue reading “Cognitive – Malevolent Thoughts of a Hastened Extinction (Review)”
This is the debut album from French one-man blackened death metal band Devolution.
Brought to us by a member of Antropofago, (and also ex-Sunnudagr), Consumer offers up 42 minutes of scathing aggression. Continue reading “Devolution – Consumer (Review)”
This is the debut album from Turkish death metallers Diabolizer.
Featuring members of Burial Invocation, Engulfed, and Hyperdontia, Khalkedonian Death contains 46 minutes of brutally aggressive death metal savagery. Continue reading “Diabolizer – Khalkedonian Death (Review)”
This is the second album from US death metallers Cerebral Rot.
Sometimes all you need in order to feel a bit better about life is a slab of good, old-fashioned death metal, the sort that reeks of disgusting foulness and rotting ugliness. 2019’s Odious Descent into Decay was exactly ones such record. Now we have the 47 minutes of horror that is Excretion of Mortality, and it hits the spot very well indeed. Continue reading “Cerebral Rot – Excretion of Mortality (Review)”
Wonderbox Metal 