This is the second album from Fell Ruin, a blackened doom band from the US.
It has been a while since we last heard from Fell Ruin, but I liked 2015’s Devices and 2017’s To the Concrete Drifts enough that when I discovered a new album was coming out, I knew I wanted to absorb its dark charms. Continue reading “Fell Ruin – Cast in Oil the Dressed Wrought (Review)”
Arallu are black metal band from Israel and this is their eighth album.
A new Arallu album is always worth checking out. Over the years the band have amassed an enviable discography, (don’t miss Geniewar, Six, Desert Battles – Descending to the Sands, or En Olam), so it’s always a pleasure to encounter them once more. Continue reading “Arallu – Death Covenant (Review)”
This is the third album from Swedish black metallers Golgata.
2020’s Tempel was an enjoyable journey into Golgata’s world, so I’m glad to revisit it once more and see what their latest release has to offer. Continue reading “Golgata – Ur Eld Och Aska (Review)”
And the floodgates were opened! October boasted so many strong metal albums that I have just really, really fallen for, it’s ridiculous. Choosing which ones to showcase here was hard, and I dislike leaving out so many other good releases. However, in the interests of brevity, here are my top picks for October… Continue reading “Monthly Overview – the Best of October 2022”
Helvellyn are a black metal band from the UK and this is their debut album.
Containing 38 minutes of material, The Lore of the Cloaked Assembly delivers black metal steeped in the old ways; Helvellyn worship at the altar of 90s second wave black metal. The band have clearly been blessed by their dark gods, as their music recalls the classics, while also offering something worth listening to in 2022. Continue reading “Helvellyn – The Lore of the Cloaked Assembly (Review)”
This is the latest EP from Irish black metallers Procession of Spectres.
Containing just two tracks, this 20-minute EP showcases Procession of Spectres’ blackened talents to great effect. Continue reading “Procession of Spectres – A Vast Tomb (Review)”
Gorycz are a Polish post-black metal band and this is their second album.
Gorycz feature members of Non Opus Dei, and Kamienie is a 37-minute exploration of non-standard music. Stirring together ingredients from black metal, post-rock, and sludge into a tasty post-black metal cocktail, Gorycz’s music is individual and Continue reading “Gorycz – Kamienie (Review)”
This is the second album from French black metal band Iffernet.
Silences assaults the listener with 38 minutes of underground black metal. It’s harsh and unforgiving, but isn’t lacking in finesse or nuance. The promo blurb mentions Weakling, Urfaust, and Fluisteraars, which should give a rough idea of what we’re dealing with here. Continue reading “Iffernet – Silences (Review)”
This is the fifth album from US black metal band Black Anvil.
2014’s Hail Death and 2017’s As Was were both enjoyable records that made an impact. The latter took the band in increasingly atmospheric and progressive directions, so what does the 50-minute Regenesis offer? Continue reading “Black Anvil – Regenesis (Review)”
This is the sixth album from UK death metallers Ingested.
Ingested’s albums are always good for some brutal bloodthirsty fun – check out 2018’s The Level Above Human and 2020’s Where Only Gods May Tread for two prime examples. This new album offers a 44-minute rebirth of sorts, with the band broadening their sound, but without losing what made them so enjoyable in the first place. Continue reading “Ingested – Ashes Lie Still (Review)”
Wonderbox Metal 