This is the debut album from French post-black metal band Heaume Mortal, (featuring a member of Eibon and Cowards).
There are six tracks on this album spread out across a sprawling 58 minutes of material, (including a Burzum cover). This is music that’s dark and crushing, while also containing aspects of resplendence and writhing, textured colour. Continue reading “Heaume Mortal – Solstices (Review)”
Drawn into Descent are a black metal band from Belgium and this is their second album.
Drawn into Descent play atmospheric black metal with blackgaze, post-rock, and depressive black metal qualities. I first encountered the band on their 2015 self-titled debut, which was an album that grew into my thoughts over time, forcing me to return to it over and over again through the years. Continue reading “Drawn into Descent – The Endless Endeavour (Review)”
Downfall of Gaia’s recently released fifth opus Ethic of Radical Finitude has rapidly become one of my favourites of 2019 already. It’s a very strong album of post-black metal and I implore you to spend some time with it.
Guitarist/vocalist Dominik Goncalves dos Reis gave me some more information about the process that saw the creation of the album… Continue reading “Interview with Downfall of Gaia”
This is the second album from Norwegian symphonic death/doom band Abyssic.
Ever since listening to and loving the band’s debut album A Winter’s Tale that was released in 2016, I’ve been hungry for more Abyssic. Well, it’s finally here, and it’s a monster. Continue reading “Abyssic – High the Memory (Review)”
Hiss from the Moat are an Italian blackened death metal band and this is their second album.
It’s been quite a while since 2013’s Misanthropy was released, but it made a very good impression on me, so its follow up, The Harrier, is a record I was pleased to see make its way into my hands. Continue reading “Hiss from the Moat – The Harrier (Review)”
This is the third album from Belgian sludge/doom metal band Oldd Wvrms.
The follow up to 2016’s Ignobilis, Oldd Wvrms have returned with a new 54 minutes of material. Continue reading “Oldd Wvrms – Codex Tenebris (Review)”
Kaleikr are an Icelandic black/death metal band and this is their debut album.
This is black metal that’s progressive and emotive. Heart of Lead is an album that you can almost visibly see change as it develops and unfolds. As it runs through its playing time, Kaleikr’s music becomes increasingly darker and more unhinged. Continue reading “Kaleikr – Heart of Lead (Review)”
Endon are a Japanese experimental post-hardcore band and this is their third album.
Holy crap, what the Hell is this? I looove it when you stumble blindly upon something as unexpectedly individual as this, especially when it’s done so well. Done poorly, this would be unlistenable nonsense, (and I’m sure there are some that would regard this as such), but Endon have a talent, it seems, for producing unusual, non-easy Continue reading “Endon – Boy Meets Girl (Review)”
Mallephyr are from the Czech Republic and play black/death metal. This is their second album.
Womb of Worms contains 38 minutes of occult, misanthropic black metal that’s bolstered in places by the inherent might and muscle of death metal. It also features a member of Panychida. Continue reading “Mallephyr – Womb of Worms (Review)”
Windswept are a Ukrainian black metal; band and this is their second album.
Featuring members of Drudkh, this is Windswept’s follow up to 2017’s The Great Cold Steppe. Continue reading “Windswept – The Onlooker (Review)”
Wonderbox Metal 