Profane Burial’s debut album The Rosewater Park Legend gets released at the end of this month, and I heartily recommend you get hold of it. It’s a forceful collection of orchestral black metal songs, all delivered with skill, passion, and obvious ability.
There’s a lot of music out there in the world, and sometimes you have to decide just how you’re going to filter through it all and give something a listen. Sometimes this can be tricky work, but not in the case of Profane Burial. I knew I had to listen to this due to the presence of Continue reading
You may not know who André Aaslie is, but hopefully that’s about to change. He’s the man behind both the atmospheric splendour of doom-titans Abyssic and the symphonic black metal of Images at Twilight. Both bands are doing something a bit different and a bit special with their respective styles, down in no small part to their classical/orchestral parts, courtesy of André . Abyssic’s A Winter’s Tale and Images at Twilight’s Kings are both a firm hit with me, so when I got the chance to quiz the man himself, I didn’t hesitate…
What are your influences?
My main influences for Images At Twilight is the black metal scene from the nineties, and especially bands like Dark Funeral, Marduk, Emperor, Limbonic Art, Tartaros, Bal-Sagoth, Satyricon, Nokturnal Mortum, Obsidian Gate, Dimmu Borgir, Anorexia Nervosa a.o. In Abyssic, I need to mention My Dying Bride as the main influence for both me and Memnock. Until now we have made all the music together for Abyssic. In both bands I could mention several film-score conductors. And also a lot of progressive rock from the seventies, as well as the one and only Devil Doll, who influences just about everything I do in music. Continue reading