Ossomancer is a black metal entity from the US and this is their debut album.
Ossomancer combine old and new, taking a base of second wave black metal and transporting it to the present day. Continue reading “Ossomancer – Artes Magickae (Review)”
Ossomancer is a black metal entity from the US and this is their debut album.
Ossomancer combine old and new, taking a base of second wave black metal and transporting it to the present day. Continue reading “Ossomancer – Artes Magickae (Review)”
This is the second album from US black/death metallers Haunter.
Sacramental Death Qualia is a mutant, constantly-shifting hybrid of progressive black/death metal. Mixing impenetrable dissonance with grim blackened melody and classic progressive beauty, the music combines darkness and light in such way that it can be almost jarring on Continue reading “Haunter – Sacramental Death Qualia (Review)”
This is a live album from Winterfylleth, a black metal band from the UK.
Winterfylleth are one of those bands that I always think I should have gotten around to listening to by now, but never have. As such, this live album seemed like as good a place as any to sample their wares. Containing five live tracks taken from the band’s first four albums, and a synth version of a track off their second album The Mercian Sphere, we are overall presented with 49 minutes of material in its entirety. Continue reading “Winterfylleth – The Siege of Mercia: Live at Bloodstock Festival 2017 (Review)”
This is the fourth album from Cloud Rat, a grindcore band from the US.
In my humble opinion Cloud Rat are one of the most forward-thinking, talented, and innovative grindcore bands out there, although simply labelling them grindcore is misleading and constricting, as their work frequently features so much more than your standard grindcore fare. Releases such as Qliphoth, and their various splits demonstrate this amply. Continue reading “Cloud Rat – Pollinator/Do Not Let Me Off the Cliff (Review)”
This is the third album from Nightfall, a US death/doom Metal band.
2014’s The Living Ever Mourn and 2015’s Darkness Evermore were both notable for their character and quality. Unlike the short gap between those two albums, however, we have had to wait considerably longer for A Sanity Deranged. I confess I have been looking forward to hearing this quite a lot. Continue reading “Nightfell – A Sanity Deranged (Review)”
This is the second album from French blackened death metallers Mithridatic.
2016’s Miserable Miracle was heavy and dirty, in a very good way. Blackened death metal of this sort is frequently done poorly, but Mithridatic got the formula right on their debut album. Continue reading “Mithridatic – Tetanos Mystique (Review)”
Asagraum are an international black metal band and this is their second album.
After 2017’s enjoyable Potestas Magicum Diaboli, Asagraum are now back with another 46 minutes of second wave black metal worship. Continue reading “Asagraum – Dawn of Infinite Fire (Review)”
August has provided many a metallic treat, and as you’ll see from the below selection, there’s been a decent amount of quality variety on offer this month too. So let’s get stuck in, as metal won’t listen to itself. Continue reading “Monthly Overview – the Best of August 2019”
Runespell is a solo black metal band from Australia, and this is his third album.
I’ve enjoyed both Unhallowed Blood Oath and Order of Vengeance, and now this new album, hot on the heels of the previous one, has arrived to sate my never-ending thirst for black metal. Continue reading “Runespell – Voice of Opprobrium (Review)”
This is the debut album from Canadian black metallers Eclipser.
This is black metal played with dark brutality and dissonant intensity. It’s a blackened hybrid that focuses more on black metal than anything else, but still finds time to incorporate death metal elements into itself with a voracious hunger. It’s Continue reading “Eclipser – Pathos (Review)”