This is the debut album from US heavy metal band Throne of Iron.
“Highly recommended for fans of Dungeons & Dragons, Eternal Champion, Visigoth and Manilla Road!”, states the promo blurb, and it’s hard to disagree. Adventure One provides 42 minutes of classic metal escapism and fun, and I like what Throne of Iron are peddling. Continue reading “Throne of Iron – Adventure One (Review)”
This is the latest EP from Ihsahn, a legendary black, progressive, and experimental metal artist.
Containing 5 tracks, including two covers, (Iron Maiden and Lenny Kravitz), Ihsahn’s latest EP features 26 minutes showcasing the artist’s more aggressive side. Continue reading “Ihsahn – Telemark (Review)”
Blaze of Perdition are a Polish black metal band and this is their fifth album.
A new Blaze of Perdition album is always welcome, with both 2015’s Near Death Revelations and 2017’s Conscious Darkness setting high standards. Pleasingly, The Harrowing of Hearts doesn’t let the side down, and offers 51 minutes of quality material, including a Fields of the Nephilim cover that closes the album. Continue reading “Blaze of Perdition – The Harrowing of Hearts (Review)”
This is the second album from French black metallers Pénitence Onirique.
It seems like ages ago that V.I.T.R.I.O.L. came out, and it was 2016 I suppose. The record made an impression, so I’m pleased to now be presented with its successor Vestige; 53 minutes of new material. Continue reading “Pénitence Onirique – Vestige (Review)”
Sons of a Wanted Man are a post-black metal band from Belgium and this is their debut album.
Sons of a Wanted Man mix post-metal, shoegaze, and melancholic atmosphere into their blackened concoction, resulting in a multifaceted album that hits many highs across its 47-minute playing time. Continue reading “Sons of a Wanted Man – Kenoma (Review)”
This is the latest EP from French black metallers Moonreich.
Moonreich are a band I always enjoy the work of, (Fugue, for example), and this new EP is no exception. It contains four new songs and a Depeche Mode cover, and lasts 22 minutes. Continue reading “Moonreich – Wormgod (Review)”
This is the fourth album from Frigoris, an atmospheric post-black metal band from Germany.
Frigoris’ post-black metal is atmospheric and immersive, and as you journey across this 65-minute album, you’ll also discover aspects of doom, progressive metal, and post-rock that are incorporated into the music’s textured tapestry. Continue reading “Frigoris – …In Stille (Review)”
This is the second album from Finnish black metallers Aethyrick.
2018’s Praxis was an enjoyable slice of personable second wave darkness, bolstered by both personality and ability. It doesn’t seem like too long ago that it was released, so I was surprised to see a new album already. It seems the band are not content to rest on their laurels. Continue reading “Aethyrick – Gnosis (Review)”
This is the fourth album from Asgrauw, a black metal band from the Netherlands.
Previous full-length Gronspech was an enjoyable album that appealed to the old-school black metal fanbase, and new album IJsval continues in this same vein, with 38 minutes of biting blackened material. Continue reading “Asgrauw – IJsval (Review)”
This is the latest EP from Estuarine, a one-man death metal band.
I greatly enjoyed both Lucid/Entheogen and Sic Erat Scriptum, so a new EP’s worth of material is most welcome. Continue reading “Estuarine – Wisdom of Silenus (Review)”
Wonderbox Metal 