Yoth Iria are a Greek black metal band and this is their debut album.
Containing ex-Rotting Christ and ex-Varathron members, Yoth Iria play a form of Hellenic black metal, as would be expected, but don’t limit themselves to this completely, (there’s a strong occult atmospheric component to the music, for example, as well as a classic heavy metal one – think Iron Maiden in particular). Continue reading “Yoth Iria – As the Flame Withers (Review)”
This is the third album from Finnish black metallers Aethyrick.
Well, I wasn’t expecting a new Aethyrick album so soon. Gnosis only came out less than a year ago, (Jan 24, 2020), and Apotheosis will come out on Jan 22, 2021 – it seems there’s been little rest for Aethyrick. Still, as a fan of the band’s work, (also check out 2018’s Praxis), I’m not complaining. Continue reading “Aethyrick – Apotheosis (Review)”
Bhleg are a Swedish black metal band and this is their third album.
Having enjoyed 2014’s Draumr Ást and 2018’s Solarmegin, I knew that I had to check out Ödhin when it appeared. If you’re unfamiliar with the band, Bhleg’s music is a form of black metal that’s full of atmosphere and folk influences. Continue reading “Bhleg – Ödhin (Review)”
This is the second album from Swedish black metallers Golgata.
Golgata play melodic black metal, and Tempel contains 37 minutes of enjoyably energetic aggression. Continue reading “Golgata – Tempel (Review)”
House of Wolf and Crow is a music collective primarily focusing on midwest USA/Minnesota bands, in this case, Shaidar Logoth, Herzegovinian, and Horrid Litany. All three bands contribute one song, and the split release has a total duration of 19 minutes. Continue reading “House of Wolf and Crow (Shaidar Logoth/Herzegovinian/Horrid Litany) – Dawn of the Trident – Split (Review)”
Obscurae are a black metal band from the US and this is their second album.
The style here is atmospheric black metal, with influence taken from the classic second wave era and enriched with traditional synth effects. Continue reading “Obscurae – To Walk the Path of Sorrows (Review)”
This is the debut EP from German black metallers Bestialis.
Ritus provides 17 minutes of black metal, and serves as a good introduction to the nefarious talents of Bestialis. The band’s style is rooted in traditional black metal, but also contains elements of more modern styles too. As a very rough Continue reading “Bestialis – Ritus (Review)”
Eoront are a Russian black metal band and this is their third album.
This is the follow up to 2017’s enjoyable Another Realm. Gods Have No Home follows on from its predecessor in a similar way, but is an even superior release. On their newest album Eoront offer us Continue reading “Eoront – Gods Have No Home (Review)”
Gjendød are a Norwegian black metal band and this is their third album.
I’ve enjoyed all of Gjendød’s material so far, (Gjendød, Nedstigning, Krigsdøger), and I’m pleased to say that Angrep is no exception to this. Angrep is not a direct continuation of the band’s past material, however, as these new songs have been mercilessly filed down to a killing point. Continue reading “Gjendød – Angrep (Review)”
I’ve decided to do something new for 2020 – a second End of Year list. If you’ve missed it, my standard, definitive best of 2020 list can be seen here, and is made up of albums I was lucky enough to get to review. However, this year I want to also highlight some of the many albums that I’ve enjoyed listening to, but for one reason or another never had the chance to review. So, consider this a complementary list of sorts to the main one. Continue reading “Wonderbox Metal End of Year List EXTRA! – Best Non-Reviewed Metal of 2020”
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