The latest Moonreich album – Fugue – is an impressive collection of dark, violent black metal songs. However, there’s more to Moonreich than just sonic extremity, and Fugue is layered with the kind of depth and nuance that makes for a very moreish album. Wide-ranging and multifaceted, while being wrapped up in tightly focused aggression, Fugue is an album that’s a very strong release all-round.
Let’s find out a bit more… Continue reading “Interview with Moonreich”
This is the seventh album from Redemption, a progressive metal band from the US.
2016’s The Art of Loss was a compelling and engaging listen, skilfully weaving together melodic metal with progressive know-how. Well, a couple of years and a change of singer later, and we have a 66 minutes of new material in the shape of Long Night’s Journey into Day.
Continue reading “Redemption – Long Night’s Journey into Day (Review)”
The Lion’s Daughter are a progressive blackened sludge metal band and this is their third album.
The Lion’s Daughter always seem willing to try out new things, enhancing their core of heavy sludge with all manner of different elements depending on their mood and interests at the time. Thus far, for me their most striking Continue reading “The Lion’s Daughter – Future Cult (Review)”
This is the second album from Algerian death metallers Lelahell.
Lelahell’s 2014 debut album Al Insane…The (Re)birth of Abderrahmane was a brutal collection of tracks with some exotic flourishes included to spice things up; not only an enjoyable album, but a striking and memorable one too. Continue reading “Lelahell – Alif (Review)”
Ancestors are a progressive doom band from the US and this is their fourth album.
Ancestors’ music has a base of traditional doom metal, which they then build on with progressive, psychedelic, stoner, and post-rock elements. Continue reading “Ancestors – Suspended in Reflections (Review)”
Abhorrent Deformity are a death metal band from the US and this is their second album.
Abhorrent Deformity deal in brutal death metal. The follow up to 2015’s Entity of Malevolence, Slaughter Monolith continues its bloody, violent rampage through the death metal suburbs, taking no prisoners and sparing no civilians. Continue reading “Abhorrent Deformity – Slaughter Monolith (Review)”
This is the debut album from Swedish death metallers Crawl.
Four things made me quite excited to hear this album, even before I really knew too much about it. The first is that it’s coming out on the always reliable Transcending Obscurity Records, (who have been especially Continue reading “Crawl – Rituals (Review)”
Between the Buried and Me are a progressive metal band from the US and this is either their ninth album, or the second part of their eighth album, depending on how you look at it.
The follow up release to/second part of Automata I, Between the Buried and Me have returned with another 34 minutes of exciting, exceptional material. Continue reading “Between the Buried and Me – Automata II (Review)”
June saw the release of the second Sons of Alpha Centauri album – Continuum. An infectiously layered and immersive trip into space, the band’s progressive tendencies truly shine on this album, and it’s an enjoyable and substantial collection of tracks.
Check out the interview with Nick Hannon below, and make sure you give the album a spin too… Continue reading “Interview with Sons of Alpha Centauri”
Microcosmys are a black metal band from Ukraine, and La Torture des Ténèbres is a one-woman black metal band from Canada. This is their split.
Supplying 17 minutes of music to this release, Microcosmys play engaging atmospheric/ambient black metal with plenty of appeal and substance. Continue reading “Microcosmys/La Torture des Ténèbres – The Gods Themselves – Split (Review)”
Wonderbox Metal 