This is the second album from Swedish melodic death metallers Frantic Amber.
Boasting ex-members of Insision and Ice Age in their ranks, Frantic Amber play death metal that combines melody and brutality into songs that are well-written and tight. Continue reading “Frantic Amber – Bellatrix (Review)”
Killswitch Engage are a metalcore band from the US and this is their eighth album.
Killswitch Engage are one of the larger, more recognisable names out there in the metal landscape, and I’m sure they need little introduction. Suffice it to say that they’re a big deal in certain circles. Continue reading “Killswitch Engage – Atonement (Review)”
This is the second album from Ragnell, a black/death metal band from Mexico.
This is an enjoyable mix of black and death metal, with the ratio skewed towards to the black side a bit more than the death one. Continue reading “Ragnell – Rebirth in Darkness (Review)”
This is the second album from Uniform & The Body, a collaboration between industrial rockers Uniform and experimental metallers The Body. Both are from the US.
I haven’t reviewed Uniform before, but I like 2018’s The Long Walk. As for The Body, you can see some examples of my appreciation for their work here, here, and here. Continue reading “Uniform & The Body – Everything That Dies Someday Comes Back (Review)”
Bound in Fear are a UK deathcore band and this is their debut album.
This is downtempo deathcore, which essentially means slow and heavy. Massive, thick chugging guitars crush and destroy, while the singer seems to be vomiting daemons with his absolutely monstrous growls. Continue reading “Bound in Fear – The Hand of Violence (Review)”
This is the debut album from Shock Narcotic, a grindcore band from the US.
Featuring current and ex-members of bands such as The Dillinger Escape Plan, Child Bite, and The Black Dahlia Murder, this is 19 minutes of nasty grindcore mixed with elements of chaotic hardcore and jagged metal. Continue reading “Shock Narcotic – I Have Seen the Future and It Doesn’t Work (Review)”
This is the second album from US black metallers Salvaticus.
2014 seems quite long ago, but that was when the very enjoyable Hidden Manna was released. I really, really liked that record, and it even made my end of year list for that year. Over five years later, the band have now returned with Ordo Naturalis, and it seems they have been busy. Continue reading “Salvaticus – Ordo Naturalis (Review)”
This is the fourth album from US post-metal band Wrvth.
Previously known as Wrath of Vesuvius, they rebranded as Wrvth with 2015’s self-titled album, and delivered a feast of post-metal/death metal for us to enjoy, and enjoy we did. Continue reading “Wrvth – No Rising Sun (Review)”
This is the second album from Aviana, a metalcore band from Sweden.
Aviana play modern metalcore that’s mixed with elements of 90s nu-metal and a slight contemporary progressive/djent edge. They play on the heavier end of the metalcore spectrum, and although there’s clean singing included, it’s still with a focus on heaviness overall. Continue reading “Aviana – Epicenter (Review)”
Eternal Storm are a melodic death metal band from Spain and this is their debut album.
The band’s first release in 2013 – From the Ashes – showed a lot of promise, and they then followed this up in 2014 with a split that contributed a single track, showing even more promise. And then…nothing. Fast forward to 2019, however, and we now get an imposing 59 minutes of new material. The band have been busy, it seems. Continue reading “Eternal Storm – Come the Tide (Review)”
Wonderbox Metal 