This is the third album from Black Moth, a doom rock band from the UK.
On Anatomical Venus Black Moth combine doom, garage, and psychedelic rock ,with a bit of the old metallic heavier stuff, into 45 minutes of kicking jams and beguiling songs. Continue reading “Black Moth – Anatomical Venus (Review)”
NVC are a Canadian progressive metal band and this is their debut album.
This is modern and emotive progressive metal that marries some latter-day Anathema influences with a melodic death metal side; think Ensiferum and Wintersun for a starting point. The resulting Continue reading “NVC – The Deleted Scenes (Review)”
Pestilence are a veteran death metal band from the Netherlands and this is their eighth album.
This is a very strong album, let’s just get that stated right at the start. Hadeon is 39 minutes of largely old-school death metal, mixed in with some progressive elements. Continue reading “Pestilence – Hadeon (Review)”
This is the second album from UK sludge metal band Gurt.
This is heavy sludge metal, full of crushing groove and caustic vocals. Influenced by the Eyehategod school of thuggery, (but not limited to it), Skullossus is 40 minutes of romping sludge belligerence. Continue reading “Gurt – Skullossus (Review)”
Wake are a Canadian grindcore band and this is their third album.
Ahhh, now this is the stuff. 27 minutes of harsh, relentless, nasty music. Continue reading “Wake – Misery Rites (Review)”
This is the debut album from Conjurer, a sludge/post-metal band from the UK.
Here we have 44 minutes of music that combines contemporary, doom, sludge, progressive, black, and post-metal. The material on Mire offers up everything from slow, monolithic crawls, to focused blast beats, meaning that Conjurer cover Continue reading “Conjurer – Mire (Review)”
Estuarine is a one-man death metal project from the US. This is his third album.
Sic Erat Scriptum is the ambitious follow up to 2015’s equally ambitious Lucid/Entheogen. Continue reading “Estuarine – Sic Erat Scriptum (Review)”
This is the latest EP from US sludge metal band No Funeral.
Having been introduced to No Funeral through their very enjoyable split with Livid, I’m pleased to now have this new EP to get to know them a bit more. Continue reading “No Funeral – Mankind Is Carrion, Fit for Nothing (Review)”
This is the second album from Wrath Sins, a progressive thrash metal band from Portugal.
Wrath Sins play modern thrash metal with a progressive streak to it. It’s well-constructed and well-realised, with good songs and plenty of memorable moments. Continue reading “Wrath Sins – The Awakening (Review)”
This is the fourth album from Austrian post-black metallers Harakiri for the Sky.
Well, it only seems like yesterday since we were graced with Harakiri for the Sky’s third album III: Trauma, which was unveiled in 2016. This album was somewhat of a slow-burning sleeper hit for me; I Continue reading “Harakiri for the Sky – Arson (Review)”
