This is the second album by Shodan, a death metal band from Poland.
2016’s Protocol of Dying was a very memorable and enjoyable album, one that stood out for its quality and variety. Four years later the band are now back with Death, Rule over Us, containing 41 minutes of music that improves on their already capable style. Continue reading “Shodan – Death, Rule over Us (Review)”
Cabal are a deathcore band from Denmark and this is their second album.
Cabal play brutal deathcore, but not without personality. Imagine a band like Thy Art Is Murder, only darker, more vicious in nature, and blackened; this will give you a rough idea of what we’re dealing with here. Continue reading “Cabal – Drag Me Down (Review)”
This is the second album from Live Burial, a death metal band from the UK.
Featuring current and ex-members of Horrified, Live Burial play old-school death metal, and Unending Futility provides 41 minutes of engaging material for fans of the style to lose themselves in. Continue reading “Live Burial – Unending Futility (Review)”
Twitch of the Death Nerve are a UK death metal band, and this is their second album.
2014’s A New Code of Morality was a memorable record, loaded with enough brutal power to destroy continents. Has it really been six years since that album was unleashed on the world? It has, so Continue reading “Twitch of the Death Nerve – A Resting Place for the Wrathful (Review)”
Perdition Temple are a death metal band from the US and this is their third album.
This is malignant death metal with a vicious blackened edge. Featuring current and ex-members of Angelcorpse, Amon, and Malevolent Creation, this is a veteran band that knows what they are doing with death metal. Continue reading “Perdition Temple – Sacraments of Descension (Review)”
This is the debut album from UK death metallers After the Abduction.
Here we have 25 minutes of slam-soaked brutal death metal. Falling somewhere between Dying Fetus and Decapitated, (roughly speaking), Cracked and Bled takes influence from both old and new strains of brutality to present us with a brief whirlwind of violence and carnage. Continue reading “After the Abduction – Cracked and Bled (Review)”
Architectural Genocide are a death metal band from the US and this is their debut album.
Featuring an ex-member of Desecrate the Faith, Cordyceptic Anthropomorph contains 40 minutes of brutal death metal. Don all of your armour for this one, as it might crush you flat. Continue reading “Architectural Genocide – Cordyceptic Anthropomorph (Review)”
This is the debut album from US death metallers Aronious.
Aronious play non-typical progressive/technical death metal, and on Perspicacity they have gifted us with 59 minutes of the stuff. Continue reading “Aronious – Perspicacity (Review)”
Wombbath are a Swedish death metal band and this is their fourth album.
SWEDISH DEATH METAL!!! Yeah! Wombbath return to give us another 50 minutes of the good stuff. I have a soft spot for this style that’s undeniable, but Wombbath have proven their worth in the past. Featuring members of bands such as Ashcloud, Henry Kane, Just Before Dawn, Gods Forsaken, Heads for the Dead, Ursinne, Repulsive Vision, and many others, you know that the style is in experienced hands before even pressing play. Continue reading “Wombbath – Choirs of the Fallen (Review)”
Earth Rot are an Australian blackened death metal band and this is their third album.
Both 2016’s Chthonian Virtues and 2017’s Renascentia were hugely enjoyable, and worthy of a place in any extreme metal fan’s collection. Continue reading “Earth Rot – Black Tides of Obscurity (Review)”
Wonderbox Metal 