This is the third album from German solo black metal band Uprising.
III is brought to us by a founder of Waldgeflüster, with drums provided by the artist behind Panopticon. Uprising’s music is rooted in the classic black metal style, but not limited to it, and carries with it a contemporary message. Continue reading “Uprising – III (Review)”
This is the seventh album from French black metallers Seth.
La France des Maudits offers up 46 minutes of expressive black metal. Seth are one of those bands that have been around for some time now and despite being aware of them since their very early days I’ve never actually heard them before. This new album seemed like the perfect time to rectify this. Continue reading “Seth – La France des Maudits (Review)”
This is the second album from Perchta, a black metal band from Austria.
D’Muata offers a 48-minute atmospheric blackened folk experience that’s compelling and immersive. Perchta have crafted a strong personality of their own on this record, and it’s one that serves them well for almost all of the album. Continue reading “Perchta – D’Muata (Review)”
Scarcity are a black metal band from the US and this is their second album.
The successor of 2022’s well-received Aveilut, The Promise of Rain contains 40 minutes of new material from Scarcity. Brought to us from a band that features members of Anicon, Glorious Depravity, Krallice, Pyrrhon, Seputus, Weeping Sores, and Woe, Scarcity have a wealth of experience in the realms of extreme metal that they bring to bear here to good effect. Continue reading “Scarcity – The Promise of Rain (Review)”
This is the eleventh album from Forgotten Tomb, an Italian black/doom metal band.
A new Forgotten Tomb album is a notable event around these parts. 2015’s Hurt Yourself and the Ones You Love, 2017’s We Owe You Nothing, and 2020’s Nihilistic Estrangement, were all top drawer records, so it’s with expectation that Nightfloating‘s 41 minutes of new material is greeted. Continue reading “Forgotten Tomb – Nightfloating (Review)”
This is the fourth album from US black metallers Vimur.
I like Vimur a great deal. 2022’s Transcendental Violence stood out as a quality black metal record, so it’s great to have the band back and delivering the goods. Boasting 41 minutes of new material, The Timeless Everpresent finds Vimur on fine form. The Timeless Everpresent may be as cold as absolute zero, but it’s still a scorcher. Continue reading “Vimur – The Timeless Everpresent (Review)”
Horned Almighty are a black metal band from Denmark and this is their seventh album.
It has been a long ten years since I last caught up with Horned Almighty, (which is somewhat of a shocking realisation to be honest), so catching up with them is long overdue. Contagion Zero offers up 36 minutes of infectious black metal. Continue reading “Horned Almighty – Contagion Zero (Review)”
This is the third album from Canadian black metal act Liminal Shroud.
Following on from 2022’s All Virtues Ablaze, comes the 44-minute Visions of Collapse. On their new record Liminal Shroud continue to forge ahead with their brand of black metal, refining it further, with some very tasty results. Continue reading “Liminal Shroud – Visions of Collapse (Review)”
This is the seventh album from French post-black metallers Alcest.
Les Chants de l’Aurore contains 44 minutes of new music from the legendary Alcest. This is a band that many people hold a special place in their heart for, and a new album is a big deal in certain circles. So the question is, have Alcest delivered or disappointed? Continue reading “Alcest – Les Chants de l’Aurore (Review)”
This is the debut album from German black metal band Nimbifer.
I unfortunately missed this record when it came out in April, but there have been enough rumblings about it that I wanted to check it out. I’m glad I did. Der Böse Geist contains 36 minutes of raw black metal, and it’s a real underground gem. Continue reading “Nimbifer – Der Böse Geist (Review)”
Wonderbox Metal 