This is the fourth album from Indian one-man extreme metal band Demonstealer.
I enjoyed both 2016’s This Burden Is Mine and 2021’s The Holocene Termination, so it’s now time to catch up with the talented artist behind Demonstealer. This time he’s come with a large supporting cast, as he’s assembled an enviable amount of musicians to help him to achieve his metallic goals, (from Continue reading “Demonstealer – The Propaganda Machine (Review)”
This is the third album from UK sludge metal band Allfather.
A Violent Truth is a 27-minute kick to the head. This is ugly sludge metal played in the way that that it should be played; raw, honest, and brutal. Continue reading “Allfather – A Violent Truth (Review)”
This is the third album from US one-man black metal band Lamp of Murmuur.
Saturnian Bloodstorm is a 40-minute blast of frozen winds. Lamp of Murmuur is a name that has made a strong mark here, and Saturnian Bloodstorm is a infectiously enjoyable slice of black metal. Continue reading “Lamp of Murmuur – Saturnian Bloodstorm (Review)”
God Disease are a Finnish death/doom metal band and this is their second album.
God Disease play old-school death metal that’s been injected with a overwhelming dose of ancient virulent doom. The resulting monstrosity offers a slow, oppressive embrace of doom-fuelled heaviness and darkness. Continue reading “God Disease – Apocalyptic Doom (Review)”
This is the third album from Vitriolic Sage, a one-man black metal band from China.
Brought to us by the artist behind the exceptional Ὁπλίτης (Hoplites), 梦路 contains 43 minutes of modern black metal. 梦路 combines elements of the Continue reading “Vitriolic Sage – 梦路 (Review)”
Xalpen are a black metal band from Chile and this is their second album.
Xalpen play old-school black metal and The Curse of Kwányep gives us 49 minutes, (53 minutes with the bonus track), of infernal darkness. Continue reading “Xalpen – The Curse of Kwányep (Review)”
Leprethere are a death metal/mathcore band from Belarus and this is their debut album.
Tarnished Passion delivers a 34-minute smack to the face. Leprethere play a form of hybrid death metal/mathcore that’s dissonant and harsh, yet not without nuance or depth.
This is the second album from Italian death metallers Maze of Sothoth.
Featuring a member of Beheaded, Maze of Sothoth deliver a scathing brand of death metal on Extirpated Light. Following on from 2017’s Soul Demise, this new material is a 36-minute journey into dark realms of brutality and horror. Yep, this is the stuff right here. Continue reading “Maze of Sothoth – Extirpated Light (Review)”
This is the third album from Morass of Molasses, a stoner rock/metal band from the UK.
Following on from 2019’s The Ties That Bind, End All We Know contains 38 minutes of fuzzed-out jams. Playing a stoner-inflected brand of heavy blues that benefits from metal and rock components, Morass of Molasses bring us an individual vision of a well-worn style. Continue reading “Morass of Molasses – End All We Know (Review)”
Ov Sulfur are a blackened deathcore band from the US and this is their debut album.
The Burden ov Faith is a brutal slab of deathcore that takes a blackened and symphonic approach to its blasphemous heaviness. Ov Sulfur spend 44 minutes dealing out punishment of a form that’s surprisingly rich in delivery. Continue reading “Ov Sulfur – The Burden ov Faith (Review)”
Wonderbox Metal 