Tailgunner are a heavy metal band from the UK and this is their second album.
Following on from 2023’s Guns for Hire, we now get treated to a new platter of classic heavy metal shenanigans by Tailgunner. With a refreshed lineup, the band burn through Midnight Blitz like it’s the last thing they’ll ever do. Hopefully it won’t be, as Continue reading “Tailgunner – Midnight Blitz (Review)”
This is the second album from Mexican progressive metal solo act Phendrana.
Here we have a 38-minute album that takes a lot of different influences into itself. Blackgaze, post-metal, progressive rock, avant-garde metal, folk, and post-black metal all come together with nuance and grace inside a progressive extreme metal framework that’s highly compelling. The artist behind Phendrana has made a convincing case for Cathexis being Continue reading “Phendrana – Cathexis (Review)”
Eximperitus, (full name – Eximperituserqethhzebibšiptugakkathšulweliarzaxułum), are a death metal band from Belarus, and this is their third album.
Meritoriousness of Equanimity is the 34-minute successor to 2021’s Šahrartu. Eximperitus have crafted a death metal album that serves up a more complex and evocative flavour of death metal than is normal for the genre. Continue reading “Eximperitus – Meritoriousness of Equanimity (Review)”
Nightmarer are an international death metal band and this is their latest EP.
Following on from 2023’s Deformity Adrift, Nightmarer have returned with four new tracks of brutal avant-garde death metal. Hell Interface is a 21-minute granite-hard slab of dissonant blades and venomous technicality. Continue reading “Nightmarer – Hell Interface (Review)”
This is the fourth album from UK black metal band Sidious.
From 2014’s symphonic blackened death metal Revealed in Profane Splendour, to 2019’s reinvention as the raw black metal darkness of Temporal, and then 2022’s slice of contemporary blackened might Blackest Insurrection, Sidious always put out something I want to listen to. Each album so far has been better than the last too. Can Malefic Necropolis continue to follow this upward trend? Continue reading “Sidious – Malefic Necropolis (Review)”
This is the second album from US death metallers Stabbing.
Eon of Obscenity is the 31-minute follow up to 2022’s Extirpated Mortal Process, and it’s a real beast. Stabbing have put together a record that showcases their abilities in no uncertain terms. This is Continue reading “Stabbing – Eon of Obscenity (Review)”
This is the third album from UK metallers Urne.
Urne are a great band. 2021’s Serpent & Spirit was a fantastic debut, and 2023’s follow up A Feast of Sorrow wasn’t too shabby either. After finally catching the band live at the end of last year supporting the mighty Orange Goblin, I was more than ready for Setting Fire to the Sky. Continue reading “Urne – Setting Fire to the Sky (Review)”
MØL are a post-black metal band from Denmark and this is their third album.
With 2018’s Jord and then 2021’s Diorama, MØL have established themselves as quality purveyors of sharp, shiny post-black metal. Now, with the 44-minute Dreamcrush, they consolidate their position, offering up their most polished and well-rounded album to date. Continue reading “MØL – Dreamcrush (Review)”
This is the second album from Italian black metal band Gorrch.
Across 37 minutes Gorrch rage with furious intensity, and do so with a slithering dissonance that’s born of arcane venom. Stillamentum is vicious, but not without nuance or layers. In fact, there’s a quite a lot under the surface of the claustrophobic nightmarescape that Stillamentum portrays. Continue reading “Gorrch – Stillamentum (Review)”
This is the fifth album from US solo black metal band Serpent Column.
Following on from 2024’s Tassel of Ares, Aion of Strife contains 50 minutes of new material from the esteemed Serpent Column. Prepare yourself for overstimulating oblivion. Continue reading “Serpent Column – Aion of Strife (Review)”
Wonderbox Metal 