Mutagenic Host – The Diseased Machine (Review)

Mutagenic Host - The Diseased MachineThis is the debut album from UK death metallers Mutagenic Host.

The Diseased Machine is a 41-minute death metal album that will smash you to the ground, stomp on your body, and cover you in sickness. Yep, it’s Mutagenic Host, and they’re here to deliver a gospel of disease. Continue reading “Mutagenic Host – The Diseased Machine (Review)”

Orgone – Pleroma (Review)

Orgone - PleromaThis is the third album from US progressive extreme metal band Orgone.

Pleroma is a 65-minute multifaceted beast of a record that, loosely, can be described as progressive/technical death metal. Orgone flesh out their death metal base with technical expertise and progressive depth. Around this though they breach a range of other musical territories, including folk, jazz, classical, and progressive rock. Continue reading “Orgone – Pleroma (Review)”

A Thousand Sufferings/Kludde – Het Pact – Split (Review)

A Thousand Sufferings Kludde - Het Pact - SplitA Thousand Sufferings and Kludde are both from Belgium. The former play doom, and the latter black metal.

A Thousand Sufferings start this split off with two songs totalling 13 minutes. I’ve enjoyed all of the band’s work so far, (Burden, Bleakness, Stilte), which made me eager to hear what Het Pact had in store. Continue reading “A Thousand Sufferings/Kludde – Het Pact – Split (Review)”

Sluagh – II (Review)

Sluagh - IIThis is the debut album from UK black metal band Sluagh.

Brought to us by current/ex-members of Ageless Summoning, Barshasketh, and Dvne, (and many others), II contains 41 minutes of atmospheric black metal, played with old-school authenticity and heart. It’s raw and unashamedly ancient, driven by a love of the traditional black metal style as seen through a contemporary Scottish-focused lens. Continue reading “Sluagh – II (Review)”

Order of Nosferat – Towards the Nightrealm of Orlok (Review)

Order of Nosferat - Towards the Nightrealm of OrlokThis is the sixth album from international, (Germany/Finland), black metal band Order of Nosferat.

I’ve had a soft spot for Order of Nosferat since discovering their vampiric brand of black metal on their 2023 split with Lunar Spells, which this year’s The Absence of Grace just reinforced. Yes, this is the band’s second full length of 2024, and across these 45 minutes Order of Nosferat have produced another corker of an album. Get ready for the second wave furious majesty of Towards the Nightrealm of Orlok! Continue reading “Order of Nosferat – Towards the Nightrealm of Orlok (Review)”

Deathcontrol – The Endless Echo of His Own Litany (Review)

Deathcontrol - The Endless Echo of His Own LitanyThis is the debut album of Spanish grindcore band Deathcontrol.

Featuring an ex-member of Machetazo, Deathcontrol play a mix of old-school grindcore and experimental noisecore. The Endless Echo of His Own Litany contains 17 minutes of material, divided between the two styles; six grind songs, five noisecore tracks. Continue reading “Deathcontrol – The Endless Echo of His Own Litany (Review)”

Canis Dirus – By the Grace of Death (Review)

Canis Dirus - By the Grace of DeathThis is the fourth album from US black metallers Canis Dirus.

By the Grace of Death contains 38 minutes of atmospheric black metal. Through a captivating mix of hostility, beauty, and dark splendour, Canis Dirus have produced a record that’s undeniably potent. Continue reading “Canis Dirus – By the Grace of Death (Review)”

Monte Penumbra – Austere Dawning (Review)

Monte Penumbra - Austere DawningThis is the third album from Portuguese black metal band Monte Penumbra.

It’s been eleven years (!) since I last caught up with Monte Penumbra on Heirloom of Sullen Fall, so a reunion is long overdue. Containing 41 minutes of new material, Austere Dawning offers us a journey into dissonant black metal darkness. Continue reading “Monte Penumbra – Austere Dawning (Review)”

Epitaph – Path to Oblivion (Review)

Epitaph - Path to OblivionThis is the third album from Italian doom metallers Epitaph.

I enjoyed 2014’s Crawling out of the Crypt a great deal, and 2017’s Claws wasn’t too shabby either. It’s been a long time since their last album though, and Epitaph also have a new singer now too. So, what do the 41 minutes of new music on Path to Oblivion have to offer us then? Continue reading “Epitaph – Path to Oblivion (Review)”