This is the fifth album from French black metal band Acod.
Fourth Reign over Opacities and Beyond is a 52-minute journey into Acod’s lovingly-crafted world. Continue reading “Acod – Fourth Reign over Opacities and Beyond (Review)”
This is the fifth album from French black metal band Acod.
Fourth Reign over Opacities and Beyond is a 52-minute journey into Acod’s lovingly-crafted world. Continue reading “Acod – Fourth Reign over Opacities and Beyond (Review)”
Omophagia are a Swiss death metal band and this is their fourth album.
2016’s In the Name of Chaos was very enjoyable, but it was with 2019’s 646965 that Omophagia really made their mark. As such, Rebirth in Black is one I’ve been waiting for, so let’s get to it. Continue reading “Omophagia – Rebirth in Black (Review)”
This is the debut album from UK stoner rock band Ghozer.
It’s been four year’s since Ghozer’s enjoyable debut EP, but now the band have returned with 49 minutes of new material. Continue reading “Ghozer – Black Lotus (Review)”
This is the debut album from Danish death/doom band Dead Void.
This is death metal that has fully embraced the dark side of sinister doom. The blending of the two by Dead Void has given us a collection of five songs that spend 46 minutes hammering the listener with hateful intentions and raw atmospheric darkness.
This is the debut album from French progressive metal band Ahasver.
Ahasver is made up of members of bands such as Eryn Non Dae, Drawers, and Gorod, among others. Causa Sui contains 42 minutes of music that’s a good deal more individual than most you might encounter. Continue reading “Ahasver – Causa Sui (Review)”
Although I’d ideally love to be able to conduct hard-hitting, in-depth interviews, who has the time these days? In lieu of this, I’ve thrown together the below question template, hopefully to gather some interesting and informative results, without taking up too much of anyone’s time.
Hello there! I’m Murat, in charge of guitars for our brutal death metal band Inhuman Depravity hailing from Istanbul, Turkey. Continue reading “Standard Interrogation Techniques: Five Questions for Inhuman Depravity (Interview)”
This is the debut album from US death metallers Sublation.
I loved Fisthammer’s 2014 album Infallible. An incredible blend of blackened and technical death metal, it’s an album I still visit surprisingly often. Why do I bring this up here? Because Sublation are the reincarnation of Fisthammer, who have returned with a new name, a stripped back lineup, and a refreshed vision for extreme metal. As such, I simply had to give The Path to Bedlam a decent airing. Continue reading “Sublation – The Path to Bedlam (Review)”
Deformatory are a Canadian death metal band and this is their latest EP.
Deformatory’s brand of brutality is one that I am well on board with, (make sure you check out In the Wake of Pestilence, Malediction, and Inversion of the Unseen Horizon). Harbinger delivers 16 minutes of the good stuff, ferociously demonstrating why Deformatory are an easy win for fans of brutal and technical death metal. Continue reading “Deformatory – Harbinger (Review)”
Abrams are a psychedelic rock band from the US and this is their fourth album.
Abrams’ sound is an interesting one. The band fuse a few different genres and styles – psychedelic, alternative, stoner, sludge, grunge, and post-metal – into music that drips with gorgeous singing and emotive guitars. Continue reading “Abrams – In the Dark (Review)”
Moynoq are a black metal band from the US and this is their second album.
Filled with pain and anguish, A Place for Ash spends 40 minutes subjecting the listener to a withering barrage of dark, passionate black metal. Continue reading “Mo’ynoq – A Place for Ash (Review)”