Hideous Divinity are an Italian death metal band and this is their latest EP.
This new 16-minute EP contains two new sci-fi concept-themed tracks, and a cover of a Coheed and Cambria song. Continue reading “Hideous Divinity – LV-426 (Review)”
Hideous Divinity are an Italian death metal band and this is their latest EP.
This new 16-minute EP contains two new sci-fi concept-themed tracks, and a cover of a Coheed and Cambria song. Continue reading “Hideous Divinity – LV-426 (Review)”
This is the fourth album from one-woman black metal band Cicada the Burrower.
Corpseflower is an intriguing and engaging collection of tracks that mix jazz, post-hardcore, psychedelic rock, and post-rock into a 31-minute progressive/post-black metal framework that also incorporates elements of blackgaze and depressive black metal. Continue reading “Cicada the Burrower – Corpseflower (Review)”
Spectral Lore is a one-man Greek atmospheric black metal band, and this is his fifth album.
I was quite excited to see a new Spectral Lore release so soon after the masterful Wanderers: Astrology of the Nine – a colossal split with Mare Cognitum. This new album is pretty colossal too, containing a whopping 79 minutes of music, and it’s every bit as good as you think it is for the most part. Continue reading “Spectral Lore – Ετερόφωτος (Review)”
This is the second album from US sludge metallers Conclave.
Now here’s an unexpected treat for yours truly.
I’ve had no prior experience with Conclave, and was initially drawn to Dawn of Days purely because of its artwork. Imagine my surprise when, on closer inspection, it was Continue reading “Conclave – Dawn of Days (Review)”
This is the debut album from Miasma Theory, an international heavy metal band.
Miasma Theory contains four original compositions and a Candlemass cover, with a total duration of 34 minutes. Of the original songs, Miasma Theory, (a project headed up by a member of Northern Crown), focuses on delivering heavy metal that’s enriched by elements of doom metal. Continue reading “Miasma Theory – Miasma Theory (Review)”
Reach are a Swedish rock band and this is their third album.
Reach play song-based rock music, and they have produced 38 minutes of this for us to enjoy on The Promise of Life. You can imagine Reach as a mix of bands such as Muse and Queen, as a rough starting point. Continue reading “Reach – The Promise of a Life (Review)”
Altarage are a Spanish blackened death metal band and this is their fourth album.
I’ve been enjoying Altarage’s output over the years – 2017’s Endinghent and 2019’s The Approaching Roar are both really solid albums – and Succumb continues the upward trend that the band are clearly on. Succumb contains 63 minutes of foul blackened death metal, and it’s their Continue reading “Altarage – Succumb (Review)”
This is the debut album from Void Vator, a heavy metal band from the US.
Great Fear Rising is a modern take on a very old style. Void Vator play old-school heavy metal; it’s presented with a modern recording and delivery, but this is mainly a product of the 80s, make no mistake. Continue reading “Void Vator – Great Fear Rising (Review)”
Neptunian Maximalism are a Belgian drone/doom band and this is their latest release.
Solar Drone Ceremony was recorded live over a year ago, and consists of a single 54-minute track. The piece is performed by nine people and features a range of different instruments and sounds. Apparently it’s a Continue reading “Neptunian Maximalism – Solar Drone Ceremony (Review)”
Aphonic Threnody are an international funeral doom band and this is their fourth album.
It’s always a grim pleasure to hear new Aphonic Threnody material. If you’re unfamiliar with the band, also check out 2017’s Of Loss and Grief, and 2020’s The Great Hatred, both of which are well worth your time. Continue reading “Aphonic Threnody – The All Consuming Void (Review)”