This is brutal death metal full of slamming gore and ugly abuse. Continue reading
Vulvodynia specialise in a form of brutal death metal that features a large helping of slam, beatdowns and deathcore/whatever – basically it’s brutal, bouncy and smashes the Hell out of everything around it.
This is heavy and groovy, designed to fuel violence in mosh pits Continue reading
Atomgott mix together brutal/slamming death metal and deathcore to give us 29 minutes of huge riffs and heavy aggression.
The band are focused on providing the listener with a combination of speed and groove, both of which they do very effectively. Although there’s elements of the more modern deathcore/slam styles, there’s a good chunk of USDM in here too, recalling Continue reading
Here we have 32 minutes of Brutal Death Metal with a decent amount of groove and blast. Influences from the Slam style work their way into the mix here and there, but for the most part this is all about the tried-and-tested method of Brutal Death Metal carnage.
For some reason, the band name and album cover led me to believe that this was going to be a more primitive Grind-influenced offering than it actually is. I was wrong though and Mind of a Serial Killer is a very professional and polished collection of butcher’s songs; the album features a strong recording where everything is solid, thick and precise.
Blasting drums, heavy grooves and huge breakdowns provide plenty of meat to chew on. The riffs are ever-present and the band know how to play, whether they’re going full-speed ahead or slowing it down a notch to crush the listener with churning grooves. Whatever they’re doing, the songs are well-played, with everything sounding tight and focused.
The singer has a pretty gruesome near-pignoise growl that is perfectly executed for this style of carnage. No marks lost for his performance.
Sometimes you want ostentatious and flashy music, or something more experimental and unique to listen to. At other times, however, only Brutal Death Metal will do. For times like that, you have this.
This is modern Sci-fi themed Death Metal with enough brutality to leave you bruised.
The band are rhythmically aggressive and technically devastating. Their fury is unrestrained and each track sounds like it’s going straight for the jugular to rip it out and replace it with complex cybernetics.
There’s a healthy Slam component to their sound only this is not quite as blatant as some purveyors of the style. It’s a strong influence nonetheless but it’s tempered by the sheer brutality of the band. It’s not just heavy groove; there’s some serious blasting and grinding going on here.
Add to this the rather more interesting and inventive touches to the music; odd moments of technicality and Industrial Sci-fi influences and this is more than just “another Slam band”.
The sound is heavy, thick and serpentine like a robotic snake, twisting and coiling around its victims before tightening slowly. 0.00 Apocalypse sounds immense and it’s the perfect aural vehicle for their inventive brand of mayhem.
The vocals are guttural nightmares drawn from the bowels of a festering pit of dying servitors. Enough said.
This is a truly extreme work of Brutal Death Metal cyber-art and the songs on this album need to be heard, preferably at ear-bleeding noise levels.
If you’ve a taste for cutting edge brutality then this is a must.
This is Death Metal that prizes brutality and heaviness above all else. Internal Bleeding were one of the earliest bands who took a so-called Slam approach to Death Metal and this latest album continues this trend.
This means they play heavy Death Metal with lots of chugging and groove mixed in with the blasting; plenty of double bass and mid-paced mosh-friendly chugfests to get you moving around and bouncing like a loon. It’s infectious stuff.
The obvious comparisons would be bands like Dying Fetus and Suffocation, but Internal Bleeding cradle their own inner monster and deliver a collection of songs that really just want to be let loose to rip your face off.
The songs are rabid and nearly unhinged; there’s a very real impression of a band being hungry and wanting to prove themselves. After all it’s been 10 years since their previous album and there’s now a lot more competition in the Brutal Death Metal world than ever before. Based on the evidence here though Internal Bleeding have a made a more than welcome return to the fray and can easily still cut it amongst the newer breed.
Play Imperium at full volume, then quickly get out of its way as it destroys everything nearby.
It opens explosively with pignoise and blastbeats. A firm opening statement if ever there was one.
It may be just a demo but the sound is acceptable enough and showcases the band’s blend of chugging slam and blasting brutality. Solos and the odd flash of melodics appear in the songs as the band aren’t adverse to adding a bit of colour to the tracks.
I’d classify this short demo as a cross between Dying Fetus and Deicide. This songs are surprisingly enjoyable and overall I like this. This is no frills, no nonsense Death Metal that gets the job done nicely.
This demo is a good first release and if the band spend a bit more time honing their art then I think their eventual début album will go down a storm.
Have a listen.
The band play Brutal Death Metal which has a Slam/Hardcore/Groove side to it; Suffocation-style USDM gone the way of Kataklysm.
An acid-etched sound with pounding drums and guitars like stone; the band kick up a maelstrom of dust and leave devastation in their wake.
As the album progresses it reminds me strongly of the aforementioned Katakylsm and their combination of blasting and groovier rffing. Pyrexia employ pretty much the same formula and even the vocalist is similar in style; raw growls that are obviously Death Metal but not quite deep enough to be truly extreme.
The short songs and relatively short nature of the album mean it’s over quickly and overall leaves a positive impression.
If you like a bit of heavy groove with your Death Metal then look up Pyrexia and give them a try.