Warp and Weft are a US hardcore band and this is their debut release.
Featuring members of the dead sexy Morality Crisis, Patience is a raw, nasty blend of hardcore, punk, metal, and noise rock. Continue reading “Warp and Weft – Patience (Review)”
Warp and Weft are a US hardcore band and this is their debut release.
Featuring members of the dead sexy Morality Crisis, Patience is a raw, nasty blend of hardcore, punk, metal, and noise rock. Continue reading “Warp and Weft – Patience (Review)”
This is the debut album from Polish grindcore band Psychoneurosis.
Despite forming in 1991, this is Psychoneurosis’ first full length. The band reactivated in 2016 after being quiet for a decade and a half. I became familiar with Psychoneurosis through their recent split with Agathocles, which I quite enjoyed. Continue reading “Psychoneurosis – The Fall of Humanity (Review)”
This is the second album from US blackened hardcore band Funeral Chic.
Fourteen tracks of violent, foul, ugly blackened hardcore? Yes please! How could I resist? Continue reading “Funeral Chic – Superstition (Review)”
This is the fifth album from US post-metal band A Storm of Light.
Here we have 51 minutes of music that mixes metal, post-metal, punk, doom, quasi-industrial, and progressive metal. That’s right, it’s quite a mix, but the band pull it off remarkably well. Continue reading “A Storm of Light – Anthroscene (Review)”
The Primals are a US rock band and this is their debut album.
Although not normally the kind of music I’m instantly attracted to, I felt compelled to check out All Love Is True Love mainly due to the presence of Darkest Hour‘s singer on vocals. Does that make me shallow? Probably. Continue reading “The Primals – All Love Is True Love (Review)”
Attan are from Norway and play Hardcore/Post-Hardcore. This is their debut album.
To say that there has been a weight of expectation riding on this is an understatement, for me at least. Why? Because I absolutely love Attan’s 2015 debut EP From Nothing. After then seeing the band live at the following year’s Damnation Festival, and even Continue reading “Attan – End of (Review)”
This is the sixth album from US grindcore band Pig Destroyer.
At the heart of Pig Destroyer lies a visceral, hateful rage that’s hard to deny. Although I’m sure that will never change, how this rage is expressed can, and on the band’s latest album, has. Continue reading “Pig Destroyer – Head Cage (Review)”
KEN Mode are a noise rock/hardcore band from Canada and this is their seventh album.
Loved is 35 minutes of violent mood and vicious emotion. Primarily mixing together metal, hardcore, and noise rock, the album also contains elements of extremity that come from black and death metal backgrounds, as well as moments of industrial and experimental forays. Saxophone is used relatively frequently. Continue reading “KEN Mode – Loved (Review)”
This is the third album from Mantar, a German black metal band.
I’m a latecomer to Mantar’s work, but I can tell you that if you’re looking for filthy, ugly blackened metallic punk that’s still catchy as fuck, then they stand head and shoulders above most of their peers. Continue reading “Mantar – The Modern Art of Setting Ablaze (Review)”