Rogga Johansson is a Swedish death metal legend and this is his second solo album.
Rogga Johansson is a man of many bands – listing groups like Paganizer, Down Among the Dead Men, and Echelon only scratches the surface. Not content with his many, many projects, he also has this eponymously named new album. As you would expect, it’s death metal, pure and undiluted. Continue reading “Rogga Johansson – Entrance to the Otherwhere (Review)”
Burial Remains are a death metal band from Germany/the Netherlands, and this is their debut album.
Across a mere 25 minutes Burial Remains tear out Swedish-styled old-school death metal like it never went out of fashion. Hell, as far as I’m concerned, it never did. Continue reading “Burial Remains – Trinity of Deception (Review)”
This is the debut album from Inert, an international, (Swedish/Spanish), death metal band.
Following on from the enjoyable Obliteration of the Self, with its homage to classic old-school Swedish death metal, Inert return with Vermin as a changed beast; two new band members, and an expanded set of influences. Continue reading “Inert – Vermin (Review)”
Memoriam are a UK death metal band and this is their third album.
Hot on the heels of 2018’s The Silent Vigil, we now get 48 minutes of new material in the form of Requiem for Mankind. Continue reading “Memoriam – Requiem for Mankind (Review)”
Organectomy are a New Zealand death metal band and this is their second album.
2017’s Domain of the Wretched arrived with a bang, a whirlwind of spine-ripping aggression, and a surprisingly well-rounded offer. Continue reading “Organectomy – Existential Disconnect (Review)”
This is the second album from US death metallers Mutilate.
Mutilate seem to be pumping out music like nobody’s business. 2018 brought us both Tormentium and All Life Ends, and now we have a new album containing a further 37 minutes of primitive and ugly death metal. Continue reading “Mutilate – Contagium (Review)”
This split is between four death metal bands – Soulskinner, Obsecration, Abyssus, and Malicious Silence, all of which are from Greece.
Oh, what a sickeningly horrible feast of underground death metal we have for you here! Each band has two tracks, and each band gives a good accounting of themselves. Continue reading “Soulskinner/Obsecration/Abyssus/Malicious Silence – Sign of the Covenant of Death – Split (Review)”
This is the third album from German death metallers Reckless Manslaughter.
It seems a long time since 2013’s Blast into Oblivion came out, which of course is has been. Although the band have released a couple of splits and a demo in the intervening years, I haven’t heard them, so Caverns of Perdition is my first chance to catch up with them again. Continue reading “Reckless Manslaughter – Caverns of Perdition (Review)”
This is the second album from death metal band Undead Prophecies.
This is death metal rooted in the old-school. It’s played with obvious reverence for what came before it, and has clearly injected itself with a potent cocktail of stimulants to hit with as much force as it can. Continue reading “Undead Prophecies – Sempiternal Void (Review)”
This is the second album from US death metallers Pestilent Death.
Chapters of Depravity provides us with eight putrid tracks of underground death metal spread out over a festering 32 minutes. Continue reading “Pestilent Death – Chapters of Depravity (Review)”
Wonderbox Metal 