Obscene play Floridian USDM, spiced up with aspects of the UK and European styles. There’s a touch of thrash here too. Imagine a mix of Obituary, Death, Cancer, Bolt Thrower, Asphyx, Slayer, and Master, and then get quite excited by how good The Inhabitable Dark is. Continue reading “Obscene – The Inhabitable Dark (Review)”
This is death metal rooted in the old-school. It’s played with obvious reverence for what came before it, and has clearly injected itself with a potent cocktail of stimulants to hit with as much force as it can. Continue reading “Undead Prophecies – Sempiternal Void (Review)”
I really got on well with 2013’s The Witchhunt, so was pleased when this one appeared for my listening pleasure. Continue reading “Master – Vindictive Miscreant (Review)”
Hod specialise in rough Death Metal with no commercial shine or anything that could resemble nicety of delivery. This is raw, underground and reeks of evil.
There is a Blackened feel to much of what goes on in these songs, which only goes to enhance the darkness and nastiness that the band generally give off.
The riffs are largely fast and melodic in a sharp, Blackened, way. The majority of time efforts are spent creating music that’s dark, dirty and brutal, although they do throw in the odd solo to add a splash of colour here and there.
The guitars, and in extension the songs, have a lot of good ideas and Hod pursue their Blackened Death Metal art with clear enthusiasm for the kill.
References? Bits of Morbid Angel, Master, Arkhon Infaustus. Snippets of others.
There is no softness on this album, no moments of respite from the chaotic Blackness and brutal assault. This is not a band who want to be your friends or play nice. This is music purely designed to destroy and worship the foul Gods of the Metal underworld, wherever they dwell.
Maybe you should open up the Book of the Worm and read this hymn for yourself?